There are guitarists out there who seek to burn an impression of their work into ears and minds, and there are others who manage to make an impression simply by being themselves. Nate Radley falls into the second category. His music isn't forceful, but it still manages to make an impact. On Morphoses, Radley shifts between, and occasionally fuses, low-key modern jazz and Americana language(s).
Considering the extraordinary talent assembled for Tony Williams' second Blue Note date as a leader, this could have been a landmark session. Unfortunately, it's not. Spring isn't totally forgettable; on the contrary, the fire expected by members of the Miles Davis Quintet (Williams, Herbie Hancock and Wayne Shorter), all thoroughly influenced by "the new thing," were unleashed completely from Miles' tight rein. Add tenor saxophonist Sam Rivers and Albert Ayler bassist Gary Peacock into this mix and that influence thrived. However, the five Tony Williams compositions (including the drum only "Echo") often failed to provoke the musicians into reaching crucial unity, making Spring haphazard, falling short of the expected goal.
"The Electrifying Aretha Franklin" is the Queen of Soul’s sophomore album for Columbia Records. Produced by John Hammond, this intimate outing features hits including “You Made Me Love You,” “Rock-A-Bye Your Baby with a Dixie Melody” and “It's So Heartbreakin'.” This 1962 classic is an outstanding representation of Franklin’s undeniable power and musicianship. This deluxe reissue version contains seven bonus tracks.