Arvo Part Tabula Rasa Flac

Arvo Part - Tabula Rasa (1984) {ECM 1275} [Repost]  Music

Posted by tiburon at March 7, 2013
Arvo Part - Tabula Rasa (1984) {ECM 1275} [Repost]

Arvo Part - Tabula Rasa (1984) {ECM 1275}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 266MB + 5% Recovery
Genre: Classical, Minimalism, Chamber

This seminal disc now almost seems like the manifesto for a whole new strain of minimalism that has found an enormously receptive audience. It represented a breakthrough for Estonian composer Arvo Part, whose music–like that of his European colleagues John Tavener and Henryk Gуrecki–pursues an austerely beautiful simplicity that suggests spiritual illumination. Fratres, given here in two versions, one for piano and violin and the other for 12 cellos, repeatedly intones a sequence resembling chant to convey a sensibility that seems at once archaic and beyond time. Violinist Gidon Kremer, for whom Part wrote the exquisitely contemplative and hypnotic title work, grasps the music's koan-like idiom, allowing an inner fullness to resonate through the most fragile, ethereal wisps of tone against the mysterious clangings of prepared piano.

Arvo Part - Tabula Rasa (1999) by request  Music

Posted by ooliver at July 15, 2009
Arvo Part - Tabula Rasa (1999)  by request

Arvo Part: Tabula Rasa (1999)
Gil Shaham & Adele Anthony, violin - Neeme Jarvi, conductor
Avant-Garde | (flac, cue, log) | 7-zip | 305 MB | RS.com
DDG 20/21 CD 457 647-2 | 58:29 | Artworks & Booklet

The music of Arvo Part contains a message which appeals to the deepest spiritual needs of our time.
Neeme Jarvi

Arvo Part - Litany (1996) {ECM New Series 1592}  Music

Posted by ruskaval at Feb. 13, 2016
Arvo Part - Litany (1996) {ECM New Series 1592}

Arvo Part - Litany (1996) {ECM New Series 1592}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 147 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 1996 ECM Records | ECM New Series 1592
Classical / Avant-Garde / Choral / Orchestral / Modern Composition

With Litany, Estonian composer Arvo Pärt created one of his most stirring works: a nearly 23-minute-long composition for orchestra and vocal ensemble based on the 24 prayers of St. John Chrysostom (one for each hour of the day). Commissioned for the 25th Oregon Bach Festival, the composition is both memorable and timeless. It finds influences in everything from chant to the repetition of modern minimalism. Play it loudly and the striking vocals of the Hilliard Ensemble simply soar against the strings of the Tallinn Chamber Orchestra. The orchestral Trisagion harkens toward Litany's mood swings and impact, but–sans voice–lacks the mysticism. One of Pärt's best, and as sacred as modern compositions come.
Arvo Part - Choral & Instrumental Works (2004) {EMI Virgin 2CD Set}

Arvo Part - Choral & Instrumental Works (2004) {EMI Virgin 2CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 442 Mb | MP3 @320 -> 281 Mb
Full Artwork @ 300 dpi (png) -> 35 Mb | 5% repair rar
© 2004 EMI Records / Virgin Classics | 7243 5 62434 2 2
Classical / Choral / Instrumental

Heard a track on Radio 3, so bought this as a 'taster' of Pärt's music. A superb introduction, and play it frequently! Born at Paide in Estonia in 1935, a pupil of Heino Eller at Tallinn Conservatory, sometime sound engineer at Estonian Radio, and first prize-winner at the All-Union Young Composers' Competition in Moscow in 1962, Arvo Part, who emigrated to the west with his family in 1980, is one of the leading figures in contemporary music. He had been working with twelve-tone composition and serialism, as well as collage and aleatory techniques, but after a long period of virtual silence when he made a deep and searching study of plainsong, French and Franco-Flemish music of the 14th, 15th and 16th centuries, and the traditions of orthodox sacred music, he engaged in a major reassessment of his own style, emerging in 1976 to effect a renewal of his language.
Various Artists - Selected Signs III-VIII (2013) [6 CDs] {ECM 2350-55} [Re-Up]

Various Artists - Selected Signs III-VIII (2013) [6 CDs] {ECM 2350-55}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 1.8GB + 5% Recovery
Genre: Jazz, Classical

In the winter of 2012/13, the Haus der Kunst in Munich – one of Europe’s most important museums for contemporary art – hosted the exhibition ECM – A Cultural Archaeology. The goal of curators Okwui Enwezor and Markus Müller was to show the range of the label’s artistic endeavours in music, graphic art, and photography and its creative interchanges with film, theatre and literature. For this exhibition, Manfred Eicher and Steve Lake created this box-set accentuating directions in ECM's rich musical history. Many themes and streams are touched upon here including the range of composition in the New Series, music for and from films, imaginative historical reconstructions, trans-cultural music, ambient minimalism, and jazz and improvisation of many hues, in a collection with a playing time of more than seven hours.
The Hilliard Ensemble, Alexei Lubimov, Stuttgart RSO, Andrey Boreyko - Arvo Part: Lamentate; Da pacem Domine (2005)

Arvo Pärt - Lamentate; Da pacem Domine (2005)
Alexei Lubimov, piano; The Hilliard Ensemble
SWR Stuttgart Radio Symphony Orchestra, conducted by Andrey Boreyko

EAC | APE | Image (Cue&Log) ~ 145 Mb | Mp3 (CBR320) ~ 118 Mb | Artwork included
Classical, Contemporary | Label: ECM | # ECM New Series 1930, 476 3048 | 00:42:44

The brief opening piece for chorus on this new release, "Da Pacem Domine," is based on a 9th century Gregorian work and has the usual, familiar–and very beautiful–Pärt-ian characteristics: a soft, endless stream of easy tritones and harmonies that make this plea for peace immensely moving. The major work, Lamentate, is scored for large orchestra and solo piano–a very unusual combination for Pärt. Even his fans will be surprised. In ten brief sections, it begins with a quiet drum roll, immediately followed by horn calls. There are forte explosions for full orchestra and piano, with heavy percussion. At times the only thing we hear is a hushed piano part with strings supporting very quietly. The effect is dark yet alluring. It ends peacefully. This is another stunning CD of Pärt's music for his fans–old and new.
Vishwa Mohan Bhatt, Jie-Bing Chen, Bela Fleck - Tabula Rasa (1996) [Reissue 2001] PS3 ISO + FLAC

Vishwa Mohan Bhatt, Jie-Bing Chen, Béla Fleck - Tabula Rasā (1996) [Reissue 2001]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 54:21 minutes | PDF Booklet | 1,59 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | PDF Booklet | 950 MB

Foremost innovator on the banjo, Béla Fleck is joined by Hindustani master V. M. Bhatt and Chinese virtuoso Jie-Bing Chen in a collaboration that begins with a clean slate and culminates in a masterpiece of synthesis. Adding poignant but subtle coloring to this unique work are Hindustani flutist Ronu Majumdar and violinist Sangeeta Shankar, as well the Karnatak percussionist Puvalur Srinivasan on mridangam.

Bloodbound - Tabula Rasa (2009) [Japanese Ed.]  Music

Posted by Andi_Deris at June 20, 2016
Bloodbound - Tabula Rasa (2009) [Japanese Ed.]

Bloodbound - Tabula Rasa (2009) [Japanese Ed.]
EAC Rip | FLAC: Image+Cue+Log | 352 Mb | MP3 CBR 320 kbps | 118 Mb | Scans | 50 Mb | Time: 43:49
Heavy/Power Metal | Marquee Inc./Avalon | MICP-10830

2009's Tabula Rasa is the third album from Swedish melodic power metal band Bloodbound. The band made a splash with their debut (Nosferatu), which featured former Tad Morose frontman Urban Breed, but by their second album (2007's Book of the Dead) Breed and the band parted ways. While not a concept album per se, most songs tie in with the concept of tabula rasa, have some connection with a literal translation thereof, or have a lyrical foundation associated with literature mentioning tabula rasa. It will be especially interesting to fans of Urban Breed's previous work in Tad Morose.

Wigelius - Tabula Rasa (2016)  Music

Posted by popsakov at Feb. 17, 2016
Wigelius - Tabula Rasa (2016)

Wigelius - Tabula Rasa (2016)
EAC Rip | FLAC (Img) + Cue + Log ~ 372 Mb | MP3 CBR320 ~ 114 Mb
Scans (JPG, 600 dpi) ~ 43 Mb | RAR 5% Recovery
Melodic Rock, AOR | AOR Heaven # AORH00126

Tabula Rasa", the second CD of Wigelius brothers Anders (voc) and Erik (dr) and their band, is an AOR-record at its best. Wigelius, that's melody but also versatile arrangements that go from driving uptempo tunes ("Deja Vu") and melodic rockers with lots of groove ("These Tears") to a high-class ballad ("My Cheri) or even a slightly modern sound environment in "Love Is The Key". Frontman Anders Wigelius offers a varied and very pleasant voice. Furthermore, the songwriting appears pretty eclectic and includes many true gems of the genre. Obligatory stuff for friends of the likes of Work Of Art, Art Nation, Care Of Night or even early H.E.A.T.! Be sure: Wigelius is a name easily o be carved into the hall of fame of contemporary AOR music!
Arvo Part - Cello concerto 'Pro et contra', Perpetuum mobile, Symphonies Nos. 1-3 (1989)

Arvo Pärt - Cello concerto 'Pro et contra', Perpetuum mobile, Symphonies Nos. 1-3 (1989)
Bamberger Symphoniker, conducted by Neeme Järvi; Frans Helmerson, cello

EAC | FLAC | Image (Cue&Log) ~ 343 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-CD-434 | Time: 01:04:56

The symphonies of Arvo Pärt will surprise anyone familiar with his contemplative, mature style. Pärt began life as a member of the Eastern European modern school, not so far removed from contemporaries such as Penderecki and Górecki. His three symphonies show his gradual renunciation of the more radical aspects of his musical syntax, a return to emotional directness, and the beginnings of that otherworldly quality that has become the outstanding feature of his later work. Not all listeners have traveled the path with him, some finding his recent music tedious and pretentious rather than spiritual, and these three relatively early symphonies really do add a welcome depth and roundness of profile to a composer who can all too easily seem one-dimensional. It's important to keep in mind that, unlike so many members of today's pseudospiritual school of composers (England's John Tavener being the prime example), Pärt is a real composer operating even in the most mystical musings. Järvi deserves real credit for calling attention to this fact in such a powerful way.