Reissue with the latest DSD remastering. This exciting live set by Art Farmer is also culled from the same 1976 performances as the earlier album Live at Boomer's. Although the full quintet had not rehearsed prior to the engagement with Clifford Jordan (the rhythm section, consisting of Cedar Walton, Sam Jones, and Billy Higgins, had been working together with Farmer for over a year), the sparks fly as they stretch out on each of the four tracks present.
Reissue with the latest DSD remastering. Although flugelhornist Art Farmer permanently moved to Europe in 1968, he has returned many times to the United States to play. For this live LP (recorded for East Wind and released domestically by the defunct Inner City label), Farmer joins up with tenor-saxophonist Clifford Jordan, pianist Cedar Walton, bassist Sam Jones and drummer Billy Higgins for lengthy versions of Charlie Parker's blues "Barbados," "I Remember Clifford," "'Round Midnight" and "Will You Still Be Mine." The group had not rehearsed beforehand but rehearsals were not really needed for these hard bop veterans and even an uptempo version of the ballad "Will You Still Be Mine" comes off quite well.
Reissue with the latest DSD remastering. Gently graceful work from Art Farmer – and a wonderful example of the way he was expanding his talents in the 70s! The set's got a slow burning sensuality that seems to bring even more soul out of Farmer's work on flugelhorn than before – especially on the mellower cuts, which seem especially written as showcases for Art's masterful examples of understatement. But don't go thinking that the album's all ballads, because with a rhythm section that includes Cedar Walton, Sam Jones, and Billy Higgins, the tracks move along nicely, even when in a gentler mode. Titles include "The Summer Knows", "Ditty", "Manha Do Carnaval", and "When I Fall In Love".
This is one of the better Art Farmer recordings of the 1980s, which is saying a great deal, for the flugelhornist is among the most consistent of all jazz musicians. The two ballads that open and close this set ("Blame It on My Youth" and "I'll Be Around") give Farmer an opportunity to display his warm and attractive sound (with fine support from pianist James Williams, bassist Rufus Reid and drummer Victor Lewis), while the other five pieces (Benny Carter's "Summer Serenade" and more obscure material) add the great tenor saxophonist (and so-so soprano player) Clifford Jordan to the group. It's an enjoyable and very successful outing.
Largely overlooked during his formative years, Art Farmer's consistently inventive playing was more greatly appreciated as he continued to develop. Along with Clark Terry, Farmer helped to popularize the flügelhorn among brass players. His lyricism gave his bop-oriented style its own personality. Farmer studied piano, violin, and tuba before settling on trumpet.
First time on CD for the album the Many Faces of Art Farmer (1964) plus Mundell Lowe's arrangement of Gershwin's Porgy & Bess (1958) featuring Art Farmer and Ben Webster. On the Many Faces Of…, Farmer surrounded himself with splendid musicians like alto saxophonist Charles McPherson, pianist Tommy Flanagan and bassist Ron Carter. As a bonus to this outstanding LP, we have added another equally rare album. Although this selection of tunes from Gershwin's Porgy & Bess was arranged by guitarist Mundell Lowe and originally released under his name, both Art Farmer and Ben Webster shine on it as featured soloists.
Some of the finer CTI recordings of the late '70s were those led by flugelhornist Art Farmer. Although the emphasis was generally on obscure material (in this case Farmer plays one original, two songs by Dave Grusin and one piece by pianist Fritz Pauer) and often featured musicians who did not normally play together, the results were generally quite rewarding. For this CTI LP (long out-of-print), the focus is almost entirely on Farmer who is joined by keyboardist Grusin, guitarist Eric Gale, flutist Jeremy Steig, either Will Lee or George Mraz on bass and drummer Steve Gadd. The moody music holds one's interest throughout.