This 1970 club date in a Munich club by Art Farmer wasn't released until 1998, but it is by no means a collection of outtakes; it was in the possession of the club owner as his own private treasure. The flügelhornist (though he is inexplicably credited playing trumpet on the CD) is joined by his pianist of choice while in Europe, Fritz Pauer, along with bassist Peter Marshall and drummer Erich Bachtragl. Both Farmer and Pauer deliver consistently outstanding solos throughout the set, and what's unusual is that all of the tracks are originals by the leader. "Concord" and "Concourse" are both up-tempo cookers, while Marshall's fine solo introduces the bluesy "Overnight." While the piano is slightly buried in the mix, this otherwise excellent recording is very much a worthwhile investment for fans of hard bop.
Art Worker captured trumpeter Art Farmer in an interesting septet setting which sounds like a small big band with two trumpets (Farmer and Ernie Royal), a trombone (Jimmy Cleveland), a saxophone (alto, tenor or baritone by Oscar Estelle). The fine rhythm section comprises of Harld Mabern on piano, Jimmy Woode on bass and Roy McCurdy on drums. Recorded live in Frankfurt in 1968 when Farmer was living in Vienna, the program includes four compositions by Viennese musicians he had come to know: "Erwagung" and "Orientierung" by trombonist Erich Kleinschuster, "Delphine" by reed player Hans Salomon, and "Gradullere" by pianist Fritz Pauer. The other three songs are by Farmer.
The Jazztet had been in existence for two years when they recorded what would be their final LPs, this date plus Another Git Together. The personnel (other than the two co-leaders flugelhornist Art Farmer and tenor-saxophonist Benny Golson) had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis and drummer Roy McCurdy and it is remarkable to think that this talent-filled group could not find enough jobs in order to stay together…
Modern Art is the prelude recording for Art Farmer prior to his partnership with Benny Golson in the Jazztet, and also foreshadows the classy, tasteful inventiveness that group brought to the modern jazz world two years after this 1958 session. Pianist Bill Evans is in here, just before his pivotal work with Miles Davis on the classic album Kind of Blue, and was the table setter for McCoy Tyner's membership in the Jazztet. Brother Addison Farmer on bass and the great drummer Dave Bailey round out this sterling quintet that specializes in playing music with a subtle approach, which is neither tame nor conservatively lazy. Included on this date is the great Junior Mance tune "Jubilation," perfectly understated in a light gospel, soul-jazz, tuneful melody with both horns wonderfully matched up in balanced unison, side by side.
Two of trumpeter Art Farmer's earlier sessions as a leader are reissued on this CD in the OJC series. Farmer teams up with an all-star quintet (which includes tenor-saxophonist Sonny Rollins, pianist Horace Silver, bassist Percy Heath and drummer Kenny Clarke) for four songs and dominates a quartet (with pianist Wynton Kelly, bassist Addison Farmer and drummer Herbie Lovelle) on six other tunes. Farmer's sound is lyrical even on the uptempo pieces and he is heard throughout in his early prime. Highlights include "Soft Shoe," "I'll Take Romance," "Autumn Nocturne" and an uptempo "Gone with the Wind." One should note that the programming differs from what is listed, with "Soft Shoe" (which should have been the opener) actually appearing fifth and the songs listed as appearing second through fifth moving up to first through fourth. Despite that flaw, the music is quite enjoyable and a must for 1950s bop collectors.
In early 1958 Gerry Mulligan formed the last, and some say the best, of his legendary piano-less quartets, this time featuring trumpet virtuoso Art Farmer - plus Bill Crow on bass and Dave Bailey, drums. This new Lone Hill release presents the complete concert at Adriano's Theatre in Rome on June 19th, 1959, as well as an added bonus track of Mulligan's "Utter Chaos" recorded in Stockholm, with the same band, on May 19th. Complex compositions, fluid arrangements & interplay and dynamic technique are on show throughout.
This CD reissue of a Contemporary set from 1976 features a logical but only one-time collaboration between flügelhornist Art Farmer and altoist Art Pepper. With pianist Hampton Hawes, bassist Ray Brown, and either Steve Ellington or Shelly Manne on drums completing the quintet, the five standards and Hawes' original "Downwind" were certainly in good hands. A special highlight is a duet version of "My Funny Valentine" featuring Farmer and Hawes. Everyone plays up to par on this spirited straight-ahead set.