This amazing concert, issued here for the first time ever on DVD, features some of the only images of Lee Morgan captured on film (he was 21 years old when this concert took place) as well as a young, pre-Miles era, Wayne Shorter. This DVD shows the Jazz Messengers at the height of their skills, in a city they were very familar with (they recorded one of their most famous albums a year previously at the Club Saint Germain). All the tunes here have their highlights, yet it is Dizzy Gillespie's "A Night In Tunisia" which really stands out.
An early Blakey line-up in the years before Mobley/Timmons came on the scene – late 1957. Lets get real here, there is no world shortage of Art Blakey records. The interest is in Hardman and Griffin, a punchy and vigorous front line.
The 1988 edition of The Jazz Messengers, which drummer Art Blakey had been leading for 33 years, showed a great deal of promise. Comprised of trumpeter Philip Harper (soon to form The Harper Brothers), trombonist Robin Eubanks, the tenor of Javon Jackson, pianist Benny Green and bassist Peter Washington, this band (whose average age without counting Blakey was around 25) performs one original apiece by Green and Jackson along with five older songs on this enjoyable release. The music may not have contained too many surprises or been startlingly new, but the results are quite pleasing.
After several years of few recordings, Art Blakey's Jazz Messengers re-emerged with totally new personnel on this Prestige LP. The strongest performance is a quartet feature for the great trumpeter Woody Shaw on "I Can't Get Started," but the other three selections (which include such musicians as George Cables or John Hicks on keyboards, bassist Stanley Clarke and Ramon Morris on reeds) are also worth hearing and sound surprisingly "contemporary" for the time. An interesting set.
Reissue with the latest remastering. Features original cover artwork. The 1978 Jazz Messengers was one of Art Blakey's strongest groups in years, although it would soon be overshadowed by its successor (which introduced a young Wynton Marsalis). With trumpeter Valerie Ponomarev, altoist Bobby Watson and a tenor saxophonist forming a potent frontline and new material from each of the principals (plus pianist James Williams) in addition to a lengthy ballad medley, this is a fine all-around set, last available on LP.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa".
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Art Blakey's legendary Jazz Messengers recorded for numerous labels large and small during the 35 years of its existence. Few periods in the band's storied history were as inspired as its 1962-63 stint at Riverside, when the Messengers were a sextet with the incredible Freddie Hubbard/Curtis Fuller/Wayne Shorter front line and Cedar Walton/Reggie Workman/Blakey rhythm section.
Reissue from Art Blakey & The Jazz Messengers features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blues March" for the first time in the world. Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time. The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson's classy, slowed "Along Came Betty" and the static, militaristic "Blues March" will always have a home in the repertoire of every student or professional jazz band.
Art Blakey recorded prolifically during his long career, and one of his best editions of the Jazz Messengers featured Wayne Shorter, Bobby Timmons, Lee Morgan, and Jymie Merritt, the group present on this live two-CD set, which was recorded in 1961 at the Olympia in Paris. Since this concert originated from a taped broadcast, the sound is inferior to commercial live recordings made by Blakey for various U.S. labels, though it is a thoroughly enjoyable evening of music.