Aranjuez 24

Narciso Yepes, Garcia Navarro - Rodrigo: Concierto de Aranjuez (1985/2015) [Official Digital Download 24/96]

Narciso Yepes, Garcia Navarro - Rodrigo: Concierto de Aranjuez (1985/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 34:41 minutes | 805 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

This programme dedicated to Joaquín Rodrigo includes a pair of his landmark works, recorded in the late 1970s by Spanish 10-string guitarist Narciso Yepes working with two different orchestras led by García Navarro. The Fantasía is a 1978 performance from the English Chamber Orchestra while the Concierto de Aranjuez is from a 1979 recording with the Philharmonia Orchestra. Both orchestras bring out the best in Rodrigo’s music, with its astounding ability to evoke feelings and visualizations of rural Spain and its romantic past.
Monty Alexander - Harlem-Kingston Express Vol. 2: The River Rolls On (2014) [Official Digital Download 24/48]

Monty Alexander - Harlem-Kingston Express Vol.2: The River Rolls On (2014)
FLAC (tracks) 24-bit/48 kHz | Time - 65:42 minutes | 784 MB
Studio Master, Official Digital Download | Artwork: Front cover

The follow-up to acclaimed pianist/composer Monty Alexander's Grammy-nominated 2011 release, 2014's Harlem-Kingston Express, Vol. 2: River Rolls On features more of Alexander's eclectic mix of reggae/jazz and Latin music. This is expansive, highly engaging music that crosses the boundaries between acoustic jazz, instrumental pop, fusion, and more.
Pablo Heras-Casado & Concerto Koln - El Maestro Farinelli (2014) [Official Digital Download 24/96]

Pablo Heras-Casado & Concerto Koln - El Maestro Farinelli (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 68:18 minutes | 1.25 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Pablo Heras-Casado, one of the most exciting conductors of his generation (Die Welt), makes his Archiv Produktion debut performing instrumental and vocal music associated with Farinelli, the legendary 18th-century castrato who served as impresario and court musician to the kings of Spain.
Paco de Lucia , Al Di Meola & John McLaughlin - The Guitar Trio (1996) {2010 Nueva Integral Box Set CD 24 of 27}

Paco de Lucia , Al Di Meola & John McLaughlin - The Guitar Trio (1996) {2010 Nueva Integral Box Set CD 24 of 27}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 13 Mb | 5% repair rar
© 1996, 2010 Verve / PolyGram / Polydor / Universal Music Spain | 533-215-2
Jazz / Flamenco / International Jazz / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Flamenco is not improvised: everything is carefully rehearsed. Every falseta, every step of the dance, although it may appear spontaneous is based on conscientious preparation. Flamenco artists are not fans of improvisation in their public performances; only in the dance are small spaces left. In the singing and above all the guitar there is no place for improvisation.
Paco de Lucia - Concierto de Aranjuez & Iberia (1991) {2010 Nueva Integral Box Set CD 22 of 27}

Paco de Lucia - Concierto de Aranjuez & Iberia (1991) {2010 Nueva Integral Box Set CD 22 of 27}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 164 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (jpg) -> 22 Mb | 5% repair rar
© 1991, 2010 Philips / Universal Music Spain | 510 301-2
Jazz / Flamenco / International Jazz / World Music / Guitar

New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Spanish classical music had always aroused profound interest in Paco de Lucía. First came the album Lorca (1967), the records of Andalusian and Iberoamerican classics (65-69), afterwards came his magnificent work with Falla (1968) and from 1991 we must add this Concierto de Aranjuez and three pieces from the ‘Suite Iberia’ by Albeniz. His pledge here is clear: to offer out of the most profound respect a new perspective on the Classical Spanish canon, in Flamenco.

Miles Davis ‎– Sketches Of Spain {UK} Vinyl Rip 24/96  Vinyl & HR

Posted by saidalani at March 5, 2015
 Miles Davis ‎– Sketches Of Spain  {UK} Vinyl Rip 24/96

Miles Davis ‎– Sketches Of Spain (1960)
Vinyl rip in 24 Bit/96 kHz | FLAC | Artwork HR | 880 Mb, 4% RAR Recovery
CBS ‎– SBPG 62327 (UK, 196?) | Jazz

The Modern Jazz Quartet – Space (1969) (24/44 Vinyl Rip)  Vinyl & HR

Posted by boogie-de at April 22, 2014
The Modern Jazz Quartet – Space (1969) (24/44 Vinyl Rip)

The Modern Jazz Quartet – Space (1969)
Max Flac 24Bit/44.1kHz = 499 MB | Mp3 VBR0 = 59 MB | No Scans | rar/zip
Remastered Vinyl LP 1996 | Apple SAPCOR 10 | Jazz | USA

The Modern Jazz Quartet took a hiatus from Atlantic Records to record two LPs for The Beatles' Apple label. Despite the switch, The MJQ's music remained unchanged; it was too classic to alter. This out-of-print album has among its selections a pair of obscure John Lewis originals ("Visitor from Venus" and "Visitor from Mars"), vibraphonist Milt Jackson's ballad feature on "Here's That Rainy Day" and the lengthy "Adagio from Concierto De Aranjuez." Overall this is an average but worthy outing from a group whose excellence could always be taken for granted.
Joaquín Rodrigo-Concierto de Aranjuez, Fantasía para un gentilhombre-John Williams (vinyl rip 24/96)

Joaquín Rodrigo-Concierto de Aranjuez, Fantasía para un gentilhombre-John Williams (1981)
Vinyl rip in 24 bit/96 kHz | FLAC tracks | Tech Log | Artwork | 820 Mb | UL, FF, RS
CBS S 60104 (1983) (Original Spanish) | Classical

The Concierto de Aranjuez is a composition for classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. Written in 1939, it is far and away Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the twentieth century. Rodrigo dedicated the Concierto de Aranjuez to Regino Sainz de la Maza.
Rodrigo, blind since age three, was a pianist. He did not play the guitar, yet he still managed to capture the spirit of the guitar in Spain. (Wiki)
Rodrigo: Concierto de Aranjuez, Fantasía para un gentilhombre, Songs  - Barrueco; Philharmonia Orchestra; Domingo (reupload)

Joaquin Rodrigo: Concierto de Aranjuez, Fantasía para un gentilhombre, Songs with guitar, Guitar solo works –
Manuel Barrueco, guitar, Philharmonia Orchestra, Placido Domingo, conductor; tenor

Classical | 1 CD | EAC Rip | 258 Mb | Flac+Log+Cue | Individual flac files | Full scans | RS links
Publisher: EMI Classics | Recorded: 1995 | Published: 1997

…Barrueco has one more trump card to play – his partnership with Placido Domingo in four songs, selected from those for which Rodrigo himself has made adaptations for the guitar of the original piano accompaniments (the texts are given in four languages). Their coming together was no public relations exercise, for both are longstanding devotees of Rodrigo’s music, and it shows. The partnership extends through the whole of this recording, in which Domingo also conducts the orchestra, an exercise in which both parties demonstrate their happy meeting of minds.'
Reviewed: Gramophone 4/1998, John Duarte
Joaquin Rodrigo: Concierto de Aranjuez, Fantasía para un gentilhombre, Songs with guitar, Guitar solo works - Manuel Barrueco

Joaquin Rodrigo: Concierto de Aranjuez, Fantasía para un gentilhombre, Songs with guitar, Guitar solo works –
Manuel Barrueco, guitar, Philharmonia Orchestra, Placido Domingo, conductor; tenor

Classical | 1 CD | EAC Rip | 258 Mb | FLAC+LOG+M3U+MD5 | No cue | Individual flac files | Full scans | 3 RS links
Publisher: EMI Classics


…Barrueco has one more trump card to play – his partnership with Placido Domingo in four songs, selected from those for which Rodrigo himself has made adaptations for the guitar of the original piano accompaniments (the texts are given in four languages). Their coming together was no public relations exercise, for both are longstanding devotees of Rodrigo’s music, and it shows. The partnership extends through the whole of this recording, in which Domingo also conducts the orchestra, an exercise in which both parties demonstrate their happy meeting of minds.'
Reviewed: Gramophone 4/1998, John Duarte