On is the title of a 1993 EP by the British electronic music artist Richard D. James, more commonly known by his recording alias of Aphex Twin. It was released on 15 November 1993 by Warp Records. On Remixes, featuring remixes by
James, Reload and u-Ziq, was also released on the same day.
Xylem Tube EP was released exclusively on vinyl in June 1992. All the songs on this EP can be found on the 1994 compilation of early Aphex Twin material Classics, also released by R&S Records following his success on Warp Records.
Like so much of Moby's earliest work, this isn't so much an album as a compilation via his original label, Instinct. Ambient influences in techno were all the rage in 1993 in terms of press and coverage (though jungle would swiftly eclipse both it and the progressive house genre), so it's no surprise Instinct wanted some of that action, right down to the says-it-all title. Motivations aside, Ambient is an enjoyable collection of experiments; if Aphex Twin's monumental Selected Ambient Works releases eclipse it in terms of both quality and sheer inventiveness, Moby's own efforts in the field are often quite pleasing. Those familiar with such later efforts as "God Moving Over the Face of the Waters" and "The Rain Falls and rhe Sky Shudders" can find their partial roots here, though the compositions are generally more formal and less-immediately noteworthy than what came next.
Richard D. James Album is an electronic album by Aphex Twin, whose real name is Richard David James. The work features use of software synthesizers and unusual beats. It is his fourth official full-length album. The album garnered high acclaim from music critics, and was named 40th in Pitchfork Media's "Top 100 Albums of the 1990s" list. It was also placed #55 on NME's Top 100 Albums of All Time in 2003.
Arguably Richard James' first full-length CD, comprised of various EPs from the early '90s when he was experimenting on his homemade electronic gear and cranking out material that surpassed the work his peers were putting out. Few others knew how to bend the rules of electronic music quite the way James does, and this skill bleeds into present day because he sets the standard for what is always on the horizon. He can turn an atonal collection of sounds into something that transcends the dancefloor, and therefore many of the pieces here require the listener's full attention…