Anton Bruckner 8 Symphony

Following his CPO recording with the Tapiola Sinfonietta of Anton Bruckner's Symphony in D minor, "Die Nullte," and the Symphony No. 1 in C minor, Mario Venzago presents the Symphony No. 2 in C minor, this time with the Northern Sinfonia. Unlike some contemporary conductors who favor the original 1872 version of this symphony, Venzago performs the more familiar 1877 version, edited by William Carragan. This is the first of Bruckner's symphonies where he expanded the form to an hour duration, and the fertile ideas it contains are appropriate to the greater time frame. Yet this work has never been accepted by audiences in the way most of the later symphonies have, such as the Fourth, Seventh, and Ninth, and the music falters over too many starts and stops, indecisive development, and repetitions. Even so, there is much attractive material here, and Venzago brings it off with a light touch, having the orchestra play delicately and sweetly, almost as if this were a Mendelssohn symphony.

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 98 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | SACD ISO (2.0/MCH): 4,62 GB | 24B/88,2kHz Stereo FLAC: 1,34 | Full Artwork
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011 | 5% Recovery Info
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 98 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Anton Bruckner - Symphony No. 8 WAB 108 (Version 1890) in C minor
Beethoven Orchester Bonn / Stefan Blunier
2xSACD | SACD ISO (2.0/MCH): 4,62 GB | 24B/88,2kHz Stereo FLAC: 1,34 | Full Artwork
Label/Cat#: MDG "Live" # 937 1713-6 | Country/Year: Germany 2011 | 5% Recovery Info
Genre: Classical | Style: Romantic, Orchestral

"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG

Anton Bruckner - 7th Symphony
Frankfurt Radio Symphony Orchestra / Paavo Järvi
SACD ISO (2.0/MCH): 3,30 GB | 24B/88,2kHz Stereo FLAC: 1,15 GB | Partial Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal # 88697389972 | Country/Year: Europe 2009
Genre: Classical | Style: Romantic

…Collaboration between principal flute, strings, and French horns floats seamlessly toward the ultimate peroration in which Wagner’s mortality his epic posterity converge. Has the whole progress been a Rhine Journey? A vast and rewarding enterprise from first to last this Järvi Seventh.

A CD containing Bruckner’s music for piano may come as something of a surprise, since you either need to know a lot about Bruckner, or conversely very little, to expect such a thing. Yet here it is, and very interesting it is too. Fumiko Shiraga plays very well, and her performances can be described as dedicated and thoroughly prepared. In addition the BIS recorded sound is as good as we have come to expect from this reliable company: full toned and atmospheric, with due attention to detail.

Continuing his impressive series of Anton Bruckner's symphonies on CPO, Mario Venzago leads the Bern Symphony Orchestra in period style performances of the Symphony No. 3 in D minor (1889 version) and the Symphony No. 6 in A major (1881 version), using scores edited by Leopold Nowak. Venzago strives for historically informed performances that give varying perspectives on Bruckner's development, employing different orchestras with each release to reveal important differences in the composer's orchestral conceptions and to show that there wasn't one prescription of how the symphonies should sound. Instead, Venzago rejects the massive and heavy-handed interpretations of the early 20th century and tries to re-create the 19th century sound world in all its variety and intimacy. The glistening, vibrato-less string tone, pungent woodwinds, and crisp brass and timpani are easily distinguished from the more homogenized tone colors of a modern symphony orchestra, and Venzago ensures that these distinctive timbres aren't obscured by keeping the orchestral sections lean and discrete.