One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music…
Trios is eclectic in its musical vision, [but] maintains a cohesive unity throughout… a bass lover's dream, Wasserman not only stretches the sonic possibilities of the instrument, he explores its expressiveness, range, and flexibility….- Down Beat (04/01/1994)
Live! Fillmore West 1969 is a live album taken from Fillmore West performances on January 9, 10 and 11, 1969. First released in 1994 on compact disc, it mainly includes live versions of the fourth album Here We Are Again with a performance of Donovan's Reef lasting more than 38 minutes. Notes by Sam Charters and Bill Belmont and published by Vanguard Records.
The first studio release in seven years from drummer/composer Bob Moses, Time Stood Still is one of those potpourris that inspire awe, delight and the occasional moment of bewilderment. Moses has a finger in virtually every stylistic pie: jazz, funk Latin, Hip-hop. Yet his real predilection is for the backbeat, which explains why he avoids his ride cymbal like the plague and employs both an upright and electric bassist. The resulting sound is bottom-heavy and mostly irresistible.
Phaeton was first produced not at the Palais-Royal Theatre in Paris but modestly at Versailles in January 1683. In the spring of that year it transferred to the Palais-Royal and was well enough thought of to enjoy revivals at regular intervals into the early 1740s. Indeed, rather as Atys became known as the ''King's opera'' and Isis as the musicians', Phaeton acquired its sobriquet, ''the opera of the people''. Among the many attractive airs ''Helas! Une chaine si belle'' (Act 5) was apparently a favourite duet of Parisian audiences, while ''Que mon sort serait doux'' (Act 2), another duet, was highly rated by Lully himself. In 1688 Phaeton was chosen to inaugurate the new Royal Academy of Music at Lyon where, as Jerome de la Gorce remarks in his excellent introduction, it was so successful ''that people came to see it from forty leagues around''. The present recording is a co-production between Erato and Radio France, set up to mark the occasion of the opening of the new Opera House at Lyon.
Cosmic Inc. (Cosmic Baby, aka Harald Blüchel) is responsible for the omnious instrumental music, which goes through a rainbow of colours, from pessimistic shades in the overture to optimistic in the end. Kraftwerk monotony and Ennio Morricone suspense go hand in hand. He creates an interesting symbiosis of classical music and techno… His soundtrack definitely sets new standarts.