3 X CD SET FEATURING LIVE BROADCAST RECORDINGS FROM 1972, 1973 & 1976 The three live FM radio broadcasts encompassed in this delightful package come from 1972, 1974 and 1976 respectively - for many, if not most fans, Browne s golden era. Disc one features an in-studio session recorded at and broadcast from the RCA Studios in New York. It took place just eight months after the release of his debut and as is evident that, even at this early stage in his career, Jackson had already matured into a strong live performer and superlative composer. Disc two boasts a show performed at Clark University in Worcester, Massachusetts, in early spring 1974, and during which label-mate Linda Ronstadt, who was touring with Browne at the time, joins Jackson for a version of One More Song, a number by Jack Tempchin - the man who composed the lovely Eagles number Peaceful Easy Feeling. Disc three includes the full Soundstage performance Jackson Browne gave for the regular PBS TV series of concert broadcasts in 1976. Recorded at the WTTW studios in Chicago, this concert is augmented by two bonus cuts taken from Browne s appearance on Saturday Night Live the same year.
For Eternamente, her first studio recording in six years, soprano Angela Gheorghiu focuses on Italian composers of the generation that followed Verdi and predominantly on repertoire she has not sung before – including some fascinating rarities. Joining her for duets from Mascagni’s Cavalleria rusticana and Giordano’s Andrea Chénier is another star of today’s opera stage, tenor Joseph Calleja.
The danger for modern blues performers is turning into a parody of what you're allegedly celebrating or honoring. Vocalist Angela Strehli avoids that trap by simply being herself; her honesty and individuality make her cover of Major Lance's "Um, Um, Um, Um, Um" a legitimate treatment. Strehli's tough-talking personae was tailor-made for such songs as "Two Bit Texas Town" and "Go On," while she managed to register pain without pathos on "Can't Stop These Teardrops" and "I'm Just Your Fool." Only on Elmore James "The Sun Is Shining" did she falter, more because Albert King has established a credible alternate vision of that number. But she makes up for that with the remarkable closing tune "Going to That City." While she doesn't eclipse Sister O.M. Terrell's transcendent original, she comes as close as anyone possibly could to providing a treatment that's just as valid.