André Léon Marie Nicolas Rieu (born 1 October 1949) is a Dutch violinist and conductor best known for creating the waltz-playing Johann Strauss Orchestra. Together they have turned classical and waltz music into a worldwide concert touring act, as successful as some of the biggest global pop and rock music acts.
60,000 people enjoying their coronation celebrations and Andre and his merry band helping them to make the most of the occasion…
André Rieu Falling In Love In Maastricht DVD. He's known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly anticipated cinema event of the year, last year setting new box-office records in several countries.Set against the stunning medieval backdrop of the town square in André’s Dutch hometown, the spectacular Maastricht concert features the maestro in his element, along with his world-famous 60-piece Johann Strauss Orchestra.
The Best of 10 Years – 32 Superhits also known as 32 Superhits - Non-Stop Digital Remix is a remix album by Boney M. released in 1986. In 1981 producer Frank Farian created a thirteen-minute medley in the style of Stars on 45 called "6 Years of Boney M. Hits (Boney M. on 45)" which was issued as both A- and B-side singles in certain territories - in the UK the medley was the B-side of Boonoonoonoos 12" single "We Kill The World (Don't Kill The World)", in Germany the edited 7" version appeared as the B-side of Christmas Album single "Little Drummer Boy" and the longer version as a separate A-side 12" release in early 1982. Five years later, Farian took the non-stop medley idea one step further and extended the medley to a thirty-two track, forty-six minutes full-length album of Boney M's greatest hits with additional percussive and synthesized overdubs.
Covering prime early recordings from 1956-1960 and one mid-'80s cut, Blue Note's The Best of Jimmy Smith offers up a fine introduction to the trailblazing jazz organist. Smith's Blue Note sessions not only introduced the world to the complex solo possibilities of the Hammond B3 organ, but simultaneously ushered in the soul-jazz era of the '60s, spawning a wealth of fine imitators in the process. Before delving into more commercial terrain on Verve in the late '60s, Smith cut a ton of jam-session dates for Blue Note, often with the help of hard bop luminaries like trumpeter Lee Morgan, alto saxophonist Lou Donaldson, tenor saxophonists Tina Brooks and Stanley Turrentine, and drummers Art Blakey and Donald Bailey. All are heard here on classic cuts like "The Sermon," "Back at the Chicken Shack," and "The Jumpin' Blues," with Smith regular Turrentine and a young Morgan availing themselves in especially fine form. For his part, Smith eats up the scenery on all the sides here, taking his solo to particularly impressive heights on a fleetly swinging rendition of "When Johnny Comes Marching Home".
Four of the 13 tracks on Island's The Best of Spooky Tooth come from 1969's Spooky Two album, while the remaining tracks represent the band's less celebrated material. Spooky Tooth's mellow, easy blues-rock sound is experienced from the first track, a slick rendition of John D. Loudermilk's "Tobacco Road." Most of the band's peak material is included here, like "Better by You, Better by Me" and "Evil Woman." The dreamy, psychedelic-tinged "It's All About a Roundabout" is one of the album's best songs, proving the band could be adventurous at will. Much in the same manner is "As Long as the World Keeps Changing," with its hippie-like hallucinatory feel. Versions of the Beatles' "I Am the Walrus" and the Band's "The Weight" are covered peculiarly, but not terribly, chock full of Spooky Tooth's own laid-back formula. Missed is the greyish "Hangman Hang My Shell on a Tree" from Spooky Two, which would have made a nice addition to the set. Nevertheless, this best-of does present listeners with Spooky Tooth's most worthwhile songs. The band's unconventional sound and eased style is prevalent on each of the tracks offered here.