Analogue Drums Deadbeat

Analogue Drums DeadBeat KONTAKT  Software

Posted by orientazure at Feb. 11, 2016
Analogue Drums DeadBeat KONTAKT

Analogue Drums DeadBeat KONTAKT | 1.53 Gb

DeadBeat is a dampened kit in a 60s/70s pop style. Based around a 3-ply '70s Ludwig kit with a selection of vintage Zildjian cymbals, Ludwig and Premier snares. Deadbeat will do the Abbey Road tea-towel thing, and is also great for dry Funk and RnB, contemporary Folk and Indie, Pop, and a whole lot more.

Analogue Drums Royale KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Royale KONTAKT

Analogue Drums Royale KONTAKT | 2.49 Gb

Royale is a vintage jazz kit played with mallets. Based around a mint '70s Rogers kit with select vintage Paiste and Zildjian cymbals, Rogers Dynasonic, Ludwig and Gretsch snares. Royale delivers a toneful foundation for jazz and other genres, and is versatile enough to handle everything from delicate parts to raucous beats. The mix of the kit can be taken from crisp and intimate through to roomy and spacious with a few fader adjustments.

Analogue Drums Smoker KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Smoker KONTAKT

Analogue Drums Smoker KONTAKT | 3.08 Gb

Smoker is a jazz kit with all the credentials ticked. Based around a toneful '70s Rogers kit with a selection of classic snares and cymbals, Smoker has a warm vintage tone fit for soulful and sparse quartets, hyped up frenetic bebop, bombastic big band, funked up lounge and everything in between. The mix of the kit can be taken from crisp and articulate to smooth and spacious with a few fader adjustments. Played with hand selected maple 7a sticks to bring out deep and subtle tones.

Analogue Drums Boxer KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Boxer KONTAKT

Analogue Drums Boxer KONTAKT | 2.11 Gb

Boxer is a punchy alt rocker with a boxy edge. It has an unpretentious direct sound with alt rock and pop written all over it. A solid kick, toneful toms, and three snares cover plenty of ground, each snare giving the kit a completely different feel. The kit works equally well for laid back grooves or fast and frantic flurries. Hear the kit for yourself by checking out the demos.

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK  Software

Posted by Dizel_ at Nov. 29, 2015
That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK | 170 Mb

Welcome to a place where the real and digital worlds collide. Its a soundscape where acoustic and analogue drums swim in lush reverbs. This is Cinematic Pop Drums. This is the library for when regular drum sounds don’t convey the depth, atmosphere, and sense of scale you’re looking for. Perfect for the modern pop, EDM and rock producer, this library contains a concise set of kicks, snares, claps, toms, hats, snaps and effects – processed and ready to add that ‘widescreen’ cinematic feeling to your tracks.
Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Analogue Productions, Remastered 2011]

Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included | 00:54:12
Vocal Jazz, Standarts, Vocal Pop | Label: Analogue Productions, Verve | # CVRJ 4003 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the track list reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness.
Humble Pie - Smokin' (1972) [Analogue Productions, Remastered 2009] Audio CD Layer

Humble Pie - Smokin' (1972) [Mastered by Kevin Gray, 2009]
EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 106 Mb | Scans included | 00:43:51
Classic Rock, Blues Rock, Hard Rock | Label: Analogue Productions | # CAPP 4243 SA

After a couple of years of relentless touring, Humble Pie capitalized on their loyal U.S. following to capture the market with this, their fifth studio album. Although lead guitarist Peter Frampton was replaced by Clem Clemson – an excellent player – the band remained essentially the same. Led by singer/guitarist Steve Marriott's soulful wail, the group enjoyed a huge hit from this record, "30 Days in the Hole" – the track which defined the Pie's not-so-subtle appeal. The rest of the record is equally funky and intriguing. Stephen Stills guests on "Road Runner 'G' Jam," playing some nasty Hammond organ fills. In the end, though, the group defined themselves as the undisputed leaders of the boogie movement in the early 1970s, as a band.

The Loop Loft Dry Drums Vol 5 MULTiFORMAT  Software

Posted by orientazure at July 22, 2017
The Loop Loft Dry Drums Vol 5 MULTiFORMAT

The Loop Loft Dry Drums Vol 5 MULTiFORMAT | 1.03 Gb

Over a year in the making, Dry Drums Volume 5 takes punchy, fat and dry drums to the next level. The largest library in the popular Dry Drums Series, Volume 5 features hundreds of live drum grooves organized into six complete sessions. In addition, we sampled the sounds of every drum and cymbal used during the recording sessions, putting six custom drum kits at your fingertips.
Cat Stevens - Tea For The Tillerman (1970) [Analogue Productions, Remastered 2011] Audio CD Layer

Cat Stevens - Tea For The Tillerman (1970) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 202 Mb | Mp3 (CBR320) ~ 94 Mb | Scans included
Label: Analogue Productions, Universal, Island | # CAPP 9135 SA/B0015571-06
Singer/Songwriter, Folk-Rock, Soft Rock, Acoustic | Time: 00:36:47

Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. Tea For The Tillerman is one of Cat Stevens' finest albums and a gem in the crown of early 1970s singer/songwriter. Stevens manages to have his cake and eat it too, simultaneously achieving pop accessibility and artistic relevance. The feel is decidedly gentle and spare. Apart from the occasional string section, Stevens is accompanied only by a three-piece band as he sings his introspective lyrics with appreciable favor.
Cowboy Junkies - The Trinity Session (1988) [Analogue Productions, Remastered 2016]

Cowboy Junkies - The Trinity Session (1988) [Remastered 2016]
Re-Mastered by Cowboy Junkies and Peter Moore from Original Session Tapes
EAC | FLAC | Tracks (Cue&Log) ~ 331 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included | 00:53:09
Alternative Country, Country Rock, Folk Rock | Label: Analogue Productions | # CAPP 072 SA

Who says you can't make a great record in one day – or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which included the lost verse. It's far from the best cut here, though. There are other covers, such as Margo Timmins' a cappella read of the traditional "Mining for Gold," a heroin-slow version of Hank Williams' classic "I'm So Lonesome I Could Cry," "Dreaming My Dreams With You" (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic "Walkin' After Midnight" that closes the disc. Those few who had heard the band's previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse – and without the ear-threatening volume.