Amoureuse 1992

Art Pepper - The Way It Was (1960) {Contemporary OJCCD 389-2 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 307 Mb | MP3 @320 -> 124 Mb
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© 1960, 1992 Contemporary / OJC | OJCCD 389-2
Jazz / Cool / Bop / Saxophone

Despite his very erratic lifestyle, altoist Art Pepper never made a bad record. This collection is better than most. The first four titles team together Pepper with tenor saxophonist Warne Marsh, pianist Ronnie Ball, bassist Ben Tucker, and drummer Gary Frommer for generally intriguing explorations of four standards. One can feel the influence of Lennie Tristano (with Pepper in Lee Konitz's place), although Pepper had his own sound and a more hard-swinging style.

Qui n'a jamais vécu un chagrin d'amour ? Du jour au lendemain, tout s'écroule : on n'imagine pas survivre sans l'autre, l'horizon s'obscurcit, la vie n'a plus de saveur… La rupture amoureuse est l'une des expériences les plus éprouvantes traversées dans une vie. …

Si le mal d'amour a toujours existé, il y a une manière spécifiquement moderne d'aimer et de souffrir de l'amour, que ce livre entend éclairer. A partir de nombreux témoignages et d'exemples issus de la culture populaire, Eva Illouz dresse le portrait de l'individu contemporain et de son rapport à l'amour, ainsi que des pathologies qui lui sont associées (…)

"Julie… ?", dit une voix venue d'un autre monde. Mais Julie ne voit rien et n'entend rien de ce qui l'entoure. En ce moment, elle est dans une réserve naturelle en Afrique, en train de filmer deux bébés lions…

Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
Here the repetoire for this duo act has been adapted and arranged to take advantage of the virtuoso playing of Fred Baker, one of Europe's leading exponents of the bass and an outstanding guitarist. The duo employ a variety of guitars and styles and the music ranges from the simplicity of the acoustic guitar to the many possibilities that state-of-the-art sound processing and synthesis has made available to the modern day guitarist.