Brian Eno will soon issue expanded versions of four of his albums originally released in the 1990s Nerve Net (1992), The Shutov Assembly (1992), Neroli (1993) and The Drop (1997) will each be reissued as a two-CD deluxe editions containing the original album and an additional disc of unreleased and rare Eno work specific to each record. Nerve Net includes the first ever commercial release of lost Eno album My Squelchy Life; The Shutov Assembly features an album’s worth of unreleased recordings from the same period; Neroli includes an entire unreleased hour-long Eno ambient work New Space Music; and The Drop includes nine rarely heard tracks from the Eno archives. Each album comes in deluxe casebound packaging and is accompanied by a 16-page booklet compiling photos, images and writing by Eno that is relevant to each release.
Morales's five-part setting of the Requiem is one of the masterpieces of the 16th century and was actually published twice during his lifetime. The 'Missa pro defunctis' follows the customary pattern of the time. Each section begins with a unison Gregorian intonation, which then continues as a cantus firmus in the upper part as the other voices spin a polyphonic texture underneath. The work avoids obvious madrigalisms, but maintains an austere, meditative texture, which is both spiritual and moving.
George Dyson (1883-1964) studied with Charles Villiers Stanford at the Royal College of Music and Dyson's own compositions tend to reflect the kind of romanticism of both Stanford and Perry or the era just before Elgar, Vaughan Williams, and William Walton. His music is always lyrical if a bit modest,or perhaps understated is a better word after all, leggiero means "lack of pomp or pretention or prolixity." In this, he resembles Frederick Delius. The works on this disc come from Dyson's later years 1949 to 1951 which were his most creative.