Tout commence avec la découverte fortuite, à Jérusalem, d’une crypte vieille de près de deux mille ans et abritant dix ossuaires. Les archéologues dépêchés sur place se sont contentés de répertorier les artefacts, et ont mis sur le compte de la coïncidence les noms stupéfiants gravés sur les coffrets en pierre. …
Americans pride themselves on being doers rather than thinkers. Ideas are naturally suspect to such a people. But ideas are at the root of what it means to be American, and today’s habits of thought practiced by citizens throughout the United States are the lineal descendants of a powerful body of ideas that traces back to the first European settlers and that was enriched by later generations of American thinkers.
Behind this nation’s diverse views on religion, education, social equality, democracy, and other vital issues is a long-running intellectual debate about the right ordering of the human, natural, and divine worlds.
In their own times such great thinkers as Jonathan Edwards, Thomas Jefferson, Abraham Lincoln, William James, Martin Luther King, Jr., and many others engaged in lively and often contentious debate that helped mold America’s institutions and attitudes. Their approach was frequently honed by ideas from abroad—from Locke, Hume, Kant, Darwin, Marx, Freud, and Gandhi, among others.
This immensely stimulating conversation that made the U.S. what it is today is the subject of The American Mind, a series of 36 lectures that offers you a broad survey of American intellectual history.
It's hard to call The Globe Sessions a stumble, but its stripped-down, straightforwardness paled in comparison to the dark pop-culture kaleidoscope of Sheryl Crow's eponymous second album. That's why C'mon, C'mon, Crow's long-delayed fourth album, is such a delight – it's the sunny flip side of that masterpiece, a skillful synthesis of classic rock and modern sensibilities that's pretty irresistible. Crow has turned into the professional she always acted she was – she not only crafts songs impeccably, she knows how to record them, filling the record with interesting sonic details, whether it's the Steve Miller-styled "woo hoo"s on "Steve McQueen" or subtle Mellotrons on "Over You."
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