From My Little Stick of Blackpool Rock to God Save the Queen, this is the story of ten records from the 1930s to the present day that have been banned by the BBC. The reasons why these songs were censored reveals the changing controversies around youth culture over the last 75 years, with Bing Crosby and the Munchkins among the unlikely names to have met the wrath of the BBC. With contributions from Carrie Grant, Paul Morley, Stuart Maconie, Glen Matlock, Mike Read and Jon Robb.
Here Garbarek is approaching the extremes of his style, appearing once again with the Jan Garbarek Group. He has his usual stark, meditative pieces, interspersed with some cutting-edge work, occasionally spinning just enough out of control to be exciting. And in other places he ventures headlong into the syrupy fields of Kenny G.-land. All pieces on this record are titled after quotes from poems by Tomas Tranströmer, and though the actual connection to these poems remains tenuous at best, they do add a provocative element to the pieces themselves, which beg for at least some programmatic interpretation. Excellent bass work by Eberhard Weber, particularly on the more avant-garde pieces (e.g., "The Crossing Place" and "One Day in March I Go Down to the Sea and Listen"). Multi-instrumentalist David Torn is primarily responsible for the more aggressive edge this record takes.
Learning how to appreciate the unmatched beauty, genius, and power of concert music can permanently enrich your life. Why is this so? As award-winning composer and Professor Robert Greenberg explains, "Music, the most abstract and sublime of all the arts, is capable of transmitting an unbelievable amount of expressive, historical, and even philosophical information to us, provided that our antennas are up and pointed in the right direction. A little education goes a long way to vitalizing and rendering relevant a body of music that many feel is beyond their grasp.