A wonderful gem! This incredibly well put together album is a triumph start to finish. The way in which Celletti interprets and represents the tunes on her sole piano is astonishing; perfectly paced with a beautiful use of dynamics and ordered all together so well it delivers a sensation of euphoria. This is a perfect measured collection of written sound that's delivered through the fingers of a rare artist who has within her that special ingredient needed to be able to release Satie's compositional ideas and make them illuminate the listener's ears. An esotérik talentDaniel Bristow - Cluas.com
Erik Satie's music is timeless and beautiful, but can it stand up to interpretation by downtown New York jazzbos? In the hands of Dan Willis & Velvet Gentlemen the answer is a resounding "YES!" Willis' arrangements are as brilliant as they are varied. There are some straightforward readings (as on most of the Nocturnes) right alongside some pretty inventive and even daring ones. Second Gymnopedie starts as an accordion-sax-drums trio, then slides almost imperceptibly to a guitar-trumpet-drums trio. John Hollenbeck's alway engaging drumwork ties it all together, but the really amazing thing is how much the tune now resembles Miles Davis' "All Blues!"
Japanese label Triton has released a Pascal Rogé album with a rather remarkable program; Crystal Dream features the eminent French pianist in a program that interweaves short piano pieces by Erik Satie with others written by contemporary Japanese composer Takashi Yoshimatsu, mostly pieces drawn from his Pleiades Dances. Both composers employ relatively simple melodic concepts harmonized with elegant, though elemental, kinds of accompaniments, so perhaps the combination makes sense. On the other hand, Satie never lived into the age of rock-based pop music, his engagement with the popular consisting mainly of French music hall tunes, and later in life, a sort of half-understood perception of ragtime rhythm. Yoshimatsu, however, would not be Yoshimatsu if it weren't for his strong connection to pop, though admittedly in Satie's case the pop group Blood, Sweat & Tears' adaptation of his Gymnopédie No. 1 once earned Satie a Grammy-winning single. Either way, one might wonder "how does this combination-slash-conversation work?"