For consistently amiable, if undemanding entertainment, Albinoni’s concertos, with or without oboe, or oboes, are hard to beat. Christopher Hogwood and the Academy of Ancient Music here perform the 12 concertos contained in the collection published in 1722 as the composer’s Op. 9.
If Michel Corrette was a little over-enthusiastic in crediting Corelli with the invention of both sonata and concerto form as it was known and understood in the mid-eighteenth century, Roger North had only to judge by the enormous popularity of the Italian master's works in England in the 1720s to deduce that they would be immortal… Monica Huggett…brings a sweetness of tone and a perfection of technical control that cannot but inspire admiration on their own count, but in combination with such unerring musical insight as is to be found here makes these into quite masterly interpretations… The continuo members of Trio Sonnerie are unerringly tasteful in their playing, while Nigel North on theorbo and other plucked instruments is quite stunningly imaginative. North's choice of the baroque guitar and his playing of it in Corelli's Follia Variations is quite inspired.(Tess Knighton)
Antonio Vivaldi was one of the most successful composers of the Baroque era, best known for his iconic set concertos for violin, The Four Seasons. L’Estro Armonico Op.3 is among the most important printed editions of Vivaldi’s concertos; the works immediately met with great acclaim after their publication in 1711, giving way to over 30 reprints in the subsequent 32 years.
Handel’s successful blend of new composition and arrangements of existing pieces in his Op. 4 organ concertos is winningly conveyed by this excellent recording. Van Asperen’s stylish playing and appropriate registration, aided by sensitive orchestral support, emphasise this music’s startling diversity. No. 1’s improvisatory organ solos; the expressive contrast between violin and cello concertino and organ in No. 3, and the enchanting atmosphere of the more delicately scored No. 6 are notable highlights.– Nicholas Rast, BBC Music Magazine
Tartini was born in Piran, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio - native of Florence - and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranian families.
The exclusive Chandos artist Jean-Efflam Bavouzet performs all five of Prokofiev’s formidable piano concertos in partnership with Gianandrea Noseda and the BBC Philharmonic. The flair of Bavouzet for powerful twentieth-century repertoire was made clear in his recording of Bartók’s Piano Concertos, described by The Daily Telegraph as ‘vibrant in colour, vital in rhythm and detail, and viscerally exciting in impact’.
The Camerata Köln is a Cologne-based chamber ensemble devoted largely to early music, with a special focus on woodwind compositions. The group's repertory includes concertos, quartets, quintets, sonatas, and other works mainly from the post-Renaissance era and reaching into the Classical period. The group concertizes regularly in Germany and most parts of Europe and has made numerous tours of the Americas and other parts of the globe. By 2006, it had made well over 50 recordings…
CPO has yet again magnificently endorsed the modern musical world, adding two long-neglected gems from the late classical era to the recording catalogue. Here, in CPO's new release of Anton Eberl's two piano concertos, we have been given the privilege of listening to Eberl's formidable piano music, for which he was better known in his day. A fine pianist and composer of several operas, symphonies among other works, Eberl's piano playing had an unusual fire and facility. Best remembered as a composer for the keyboard than for his operas, he carved and shaped his music with confused modulations, while ……A most delectable recording!Luke Agati @ Amazon.com