The artistry of Holliger (b1939) prompted Evelyn Rothwell (Lady Barbirolli) to call him 'The Paganini of the oboe' Holliger's mastery of the oboe ranges over a vast expanse of repertoire, from the baroque to contemporary – Bach to Berio and Zelenka to Zimmermann. His style is notable for its flexibility, agility, integrity and ability to communicate convincingly across the wide range of repertoire he performs. Holliger has done much to champion the oboe music of composers such as Zelenka and Krommer, and has also had over 100 works composed for him by composers including Berio, Carter, Henze, Ligeti, Lutoslawski, Penderecki and Stockhausen.
Handel’s successful blend of new composition and arrangements of existing pieces in his Op. 4 organ concertos is winningly conveyed by this excellent recording. Van Asperen’s stylish playing and appropriate registration, aided by sensitive orchestral support, emphasise this music’s startling diversity. No. 1’s improvisatory organ solos; the expressive contrast between violin and cello concertino and organ in No. 3, and the enchanting atmosphere of the more delicately scored No. 6 are notable highlights.– Nicholas Rast, BBC Music Magazine
Tartini was born in Piran, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio - native of Florence - and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranian families.
The exclusive Chandos artist Jean-Efflam Bavouzet performs all five of Prokofiev’s formidable piano concertos in partnership with Gianandrea Noseda and the BBC Philharmonic. The flair of Bavouzet for powerful twentieth-century repertoire was made clear in his recording of Bartók’s Piano Concertos, described by The Daily Telegraph as ‘vibrant in colour, vital in rhythm and detail, and viscerally exciting in impact’.
…From this background material Handel made something completely new, with rich, unusual sound effects in the strings. Banzo's group Al Ayre Español, which does not at all restrict itself to Spanish music, catches this kind of unusual moment quite vividly. It's a specialist group of the best kind, the kind that aims at general audiences and puts across fairly arcane material by dint of sheer musicality. An ideal choice for those who want to get deeper into how Handel's London audiences heard his music.
George Frideric Handel (23 February 1685 – 14 April 1759) was a German-born British Baroque composer famous for his operas, oratorios, anthems and organ concertos. Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London (1712) as a naturalized British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
…Even if you have other recordings of Op.4, including the beautifully restored Chorzempa/Schroeder set, this winningly idiomatic and novel account is highly desirable, in both the loving musicianship and its glowing sonic portrait.