Albert Handel

Ensemble Zefiro, Gemma Bertagnolli - Handel: Venus & Adonis: Cantatas and Sonatas (2010)

Ensemble Zefiro, Gemma Bertagnolli - Handel: Venus & Adonis: Cantatas and Sonatas (2010)
EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 75:25 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697630232 | Recorded: 2008

This disc presents three vocal pieces for soprano with oboe and basso continuo, interspersed between four trio sonatas for 2 oboes & basso continuo.The first cantata "Mi palpita il cor" was written in England - there are four existing variants, but this presented here is probably the earliest, the date given here as 1717. The theme is typically pastoral, with the singer's amorous affliction, the sorrow and hope of being in love with Chloris. The second vocal piece "Meine Seele hort im Sehen" is one of Handel's nine German da capo arias written around 1724/25 which were never published; they were songs of spiritual devotion rejoicing in God's creation as manifested in the beauty of nature, and not intended for concert performance.
Trevor Pinnock, The English Concert & Choir - Handel: Belshazzar (2004)

Trevor Pinnock, The English Concert & Choir - Handel: Belshazzar (2004)
EAC | FLAC | Image (Cue & Log) ~ 793 Mb | Total time: 57:18+52:43+61:30 | Scans included
Classical | Label: Archiv Produktion | # 477 037-2 | Recorded: 1990

Belshazzar (HWV 61) is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably. Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus the Great and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Handel composed Belshazzar in the late Summer of 1744 concurrently with Hercules, during a time that Winton Dean calls "the peak of Handel's creative life".The work premiered the following Lenten season on 27 March 1745 at the King's Theatre, London.The work fell into neglect after Handel's death, with revivals of the work occurring in the United Kingdom in 1847, 1848 and 1873.With the revival of interest in Baroque music and historically informed musical performance since the 1960s, Belsahzzar receives performances in concert form today and is also sometimes fully staged as an opera.
Julia Lezhneva - Handel: Il Giardino Armonico, Giovanni Antonini (2015) [Official Digital Download 24/96] RE-UP

Julia Lezhneva - Handel: Il Giardino Armonico, Giovanni Antonini (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 74:04 minutes | 1,31 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The emphasis for this album is very much on youth and prodigious talent: at 25, Julia Lezhneva is ideally suited to the soprano arias of the young Handel, who arrived in Italy from Germany as a 21 year old at the beginning of the 18th century. She has the perfect partners in Il Giardino Armonico and Giovanni Antonini whose recordings of music from the Italian baroque are celebrated for their “fizzing virtuosity” and “exquisite cushion of sound” (The Independent). For some tracks the orchestra is led by Dmitry Sinkovsky, the extraordinary Russian violinist and one of today’s most versatile Baroque musicians.
Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 76 Mb | 5% repair rar
© 1993, 2008 Alia Vox | AVSA 9860
Classical / Baroque / Orchestral

This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.

Reinhold Quartett - Albert: String Quartets Nos. 1 & 2 (2016)  Music

Posted by SERTiL at Oct. 18, 2017
Reinhold Quartett - Albert: String Quartets Nos. 1 & 2 (2016)

Reinhold Quartett - Albert: String Quartets Nos. 1 & 2
Classical | WEB FLAC (tracks) & d. booklet | 65:17 min | 345 MB
Label: CPO | Tracks: 08 | Rls.date: 2016

Scottish-born German composer Eugen Francois Charles dAlbert (1864-1932) began his musical career as a pianist. As years passed, he began focusing more on composing, and produced 21 operas, and a variety of piano, chamber, vocal, and orchestral works. The works chosen for this album are his String Quartet op. 11 in E flat major, and String Quartet op. 7 in A minor. These are the only two string quartets that dAlbert wrote. The Reinhold-Quartett is Dietrich Reinhold and Tobias Haupt, violin, Norbert Tunze, viola, and Christoph Vietz, cello.
Hervé Niquet, Concert Spirituel Chorus & Le Concert Spirituel - Handel: Messiah, HWV 56 (1754 Version) (2017)

Hervé Niquet, Concert Spirituel Chorus & Le Concert Spirituel - Handel: Messiah, HWV 56 (1754 Version)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 114:31 min | 593 MB
Label: Alpha | Tracks: 46 | Rls.date: 2017

Why yet another Messiah? ‘I went through the different scores that exist and decided on the very interesting 1754 version, which features five soloists. You must remember that, when Handel arrived somewhere to perform his oratorio, he had soloists of varying standards available to him. So he quickly revised his score accordingly… All this is directly related to the reality of Handel’s situation as a concert promoter. In those days, to earn a living from his music, a composer absolutely had to get his works performed and make a profit on the evening.

George Petrou, Camerata Stuttgart - Handel: Oreste (2004)  Music

Posted by ArlegZ at Oct. 16, 2017
George Petrou, Camerata Stuttgart - Handel: Oreste (2004)

George Petrou, Camerata Stuttgart - Handel: Oreste (2004)
EAC | FLAC | Image (Cue & Log) ~ 627 Mb | Total time: 76:39+68:51 | Scans included
Classical | Label: MDG | # 609 1273-2 | Recorded: 2004

Ever the recycler, Handel cobbled together Oreste from parts of pre-existing scores for his 1734 season at Covent Garden. The work promptly disappeared from the repertory for the next 250 years – a fact that is both understandable, given that it's a less convincing result than his fully original operas, and a shame, since Handel's table scraps are still amongst the most entertaining morsels from the period. The present recording, by George Petrou, the Camerata Stuttgart, and a cast of mostly Greek singers, is its first complete performance on CD and an admirably realized production, characterized by polished, stylish singing and vivid orchestral playing. In style, sound, and dramatic pacing, Petrou's effort distinguishes itself as a fine entry in the Handelian opera catalog, and makes a compelling argument for the musical value of the piece itself.
George Petrou, Orchestra of Patras - Handel: Arianna in Creta (2005)

George Petrou, Orchestra of Patras - Handel: Arianna in Creta (2005)
EAC | FLAC | Image (Cue & Log) ~ 759 Mb | Total time: 54:25+67:56+41:33 | Scans included
Classical | Label: MDG | # 609 1375-2 | Recorded: 2005

In the winter of 1733-1734, the opera houses of London were abounding in Ariannas. In late December, Porpora's Arianna in Nasso was staged by the Opera of the Nobility. In late January, Handel's Arianna in Creta was staged by the composer's own opera company. Comparison, apparently, proved odious – and fatal: Porpora's Naxos Arianna has fallen from the repertoire while Handel's Cretan Arianna has barely hung on by her finger tips. This 2005 Greek performance with George Petrou leading the Orchestra of Patras is the work's first recording in decades – and, thankfully, it's quite fine. Most of the women soloists – and whether their characters are male or female, most of the parts here are sung by woman because most of the parts then were written for castratos – are terrific. Mata Katsuli is sweet but strong in the title role and Theodora Baka is especially effective and affecting as Alceste. The period instrument Orchestra of Patras is stylish, colorful, and lively, particularly the winds and brass playing in the finale. As captured in Musikproduktion Dabringhaus und Grimm characteristically crisp, deep, and detailed sound, this Arianna is well worth hearing by anyone who reveres the operas of the German-English composer.
(James Leonard)

Dictionnaire Albert Camus (Bouquins)  eBooks & eLearning

Posted by Rare-1 at Oct. 15, 2017
Dictionnaire Albert Camus (Bouquins)

Jeanyves Guérin, "Dictionnaire Albert Camus (Bouquins)"
French | ASIN: B00FRSZ5DW | ISBN: 2221107349 | 17 octobre 2013 | AZW3 | 992 pages | 1.79 MB

À l'occasion du centième anniversaire de la naissance d'Albert Camus, en novembre 2013, " Bouquins " réédite le premier et seul dictionnaire qui lui soit consacré, aujourd'hui considéré comme l'ouvrage de référence.
Der neue Online-Handel: Geschäftsmodell und Kanalexzellenz im Digital Commerce (repost)

Gerrit Heinemann, "Der neue Online-Handel: Geschäftsmodell und Kanalexzellenz im Digital Commerce"
2016 | Auflage: 7 | German | ISBN-10: 3658119330 | 352 pages | PDF | 10 MB