With an impressive run of hits in the '80s – thanks to a country sound washed in a sleek, pop sheen and with enough rock dynamics to put it all over – Alabama built an early template for how to be a country group in the 21st century. They had chart hits in three different decades, a pretty impressive lesson in longevity in a business that hardly encourages it. This well-sequenced set features some of the group’s most enduring songs, including “I’m in a Hurry (And Don’t Know Why),” “Song of the South,” and “Mountain Music,” among others, and makes it easy to hear why Alabama was so ubiquitous in the genre.
The four-part, four-hour documentary travels the Lost Highway and uncovers the story of country music on a journey to the heart of America and the music that has come to define it. From the makers of the award-winning series Dancing in the Street and Walk On By comes another major heritage music series charting the history of American country music in the words of its greatest performers, producers, musicians and songwriters.
From the Philip Glass Archive is a series of releases from Orange Mountain Music which seeks to document archival and unreleased material or reissue classic albums by Philip Glass. The current volume, the sixth, features a collaboration between Glass and African musician Foday Musa Suso from a score they both worked on in the 1990s. The work was incidental music to the play The Screens by Jean Genet and was directed by JoAnne Akalaitis. Glass described the collaboration as the closest thing he had come to at that point of a true collaboration with both artists contributing original pieces and both working on many in the score together. The Screens was originally released on Point Music in the late 1990s. Orange Mountain Music is also pleased to present this remastered version with the inclusion of two bonus tracks of Philip Glass and Foday Musa Suso LIVE, recorded in New York in 2009.
This Orange Mountain Music CD presents a new recording by the Basel Sinfonieorchester of Philip Glass Symphony No.1 Low based on the music of David Bowie & Brian Eno. Composed in 1992, Glass took his departure from Bowie & Eno s beautiful melodies in crafting a three-movement 46-minute symphony. This new recording conducted by Glass champion Dennis Russell Davies is a shimmering rendition of the work. Only the second recording of the Symphony, it s been 20 years since the last one, the previous recording was recorded in the studio sectionally whereas this new OMM recording was made live in Basel Switzerland and captures the vitality and evidence of the work as never heard before.