Dvorák’s Violin Concerto has been undergoing a renaissance of sorts on disc, one that it entirely deserves. Its critics (starting with Joachim and Brahms) dismissed it for not adopting the usual sonata-form first movement structure, instead welding the truncated opening to the gorgeous slow movement. But really, how many violin concertos are there where you can really say that the best, most characterful and highly developed movement is the finale? And what could possibly be bad about that? Clearly Fischer and Suwanai understand where the music’s going: the performance gathers steam as it proceeds, and really cuts loose in that marvelous last movement. Suwani displays a characteristically polished technique and fine intonational ear (lending a lovely purity of utterance to the slow movement), but she’s not afraid to indulge in some “down and dirty” gypsy fiddling in the finale, or in the two Sarasate items that open the program.
If the violin is a star, then so, also, must the surround sound superaudio master on this recorded performance get star status. The engineers have done a beautiful job, and the home disc carries their full-frequency, warm, top-notch sound right into your home listening room. Bravo. Not only is the Strad caught well, so it the band (full, detailed), plus room touches to reinforce the tonal body (especially nice in Sibelius' low strings, for example).
Of the American violinist Anne Akiko Meyers, the American Record Guide is quoted as saying, Through her peerless mastery and vivid imagination there seems to be no limit to the colors she can draw from her instrument. Sony Classicals 6-CD reissue of some of her finest recordings include the Mendelssohn Concerto, which Gramophone praised for its sweetness and poetry, also lauding her rapt playing in Vaughan Williamss The Lark Ascending and her performance of Bruchs Scottish Fantasy, altogether a great success.
A study of Yosano Akiko (1878-1942), famous post-classical woman poet of Japan. It follows Yosano from childhood to her twenties, as she freed herself from the alienation and frustration that shadowed her early years and, to use her own words, "danced out into the light" of poetry and self-liberation. …
California violinist and former child prodigy Anne Akiko Meyers has stretched the violin recital in interesting ways, venturing into crossover territory (and even appearing at nightclubs) without losing the basic shape of the traditional program. Here's a decent sampling of her talents for those who follow the ways the classical violin is developing in the U.S., or just for those whose tastes run somewhere between Sarah Chang and Vanessa-Mae. The Seasons…Dreams concept of the album is not original, but the material with which Meyers fills it indeed is so. At the center of the program is the Beethoven Violin Sonata No. 3, Op. 24, "Spring," given a restrained performance inflected toward the evanescent, fantasy-like tone of the rest of the album. The other pieces push the seasons-and-dreams theme into unusual territory. Clair de lune is certainly a common enough item on such programs, but Wagner's Träume is less so, as is the shift from harp to piano accompaniment that follows with the Beethoven (the harp returns later).