Filling in a gap in Frank Sinatra's history, Legacy's 2015 box A Voice on Air collects over 100 radio broadcasts recorded between 1935 and 1955. This is the first collection to chronicle this era – over 90 of its 100 tracks are previously unreleased – and it's pulled from a variety of sources, including the Sinatra estate's vaults, the Library of Congress, and the Paley Center for Media, each strand assisting in sterling re-creations of original broadcasts from Frank's bobbysocks days, World War II, and the nascent saloon singer of the '50s. Sinatra wound up singing some of these songs in the studio but not necessarily in these arrangements, a wrinkle that would be tantalizing enough but a good portion of A Voice on Air is devoted to songs he only sang on the air.
Fittingly for an album called Mumbo Jumbo, Air Supply do employ some smoke and mirrors on their 2010 album – perhaps more than any of their previous albums, dabbling with a variety of textures and rhythms. Although their touch remains decidedly light, this isn’t merely a collection of romantic ballads: it opens with the spooky prog pomp of “Setting the Seen”; “A Little Bit of Everything” pulsates with the clean sheen of the late ‘80s; they work up a fairly good head of steam on “Me Like You”; they get a little dirty on the slow groove of “Lovesex”; “Until” approaches the baroque; and even on something as soft as “A Little Bit More,” the acoustic guitars are unadorned in a way Air Supply never have tried. While none of the songs approach the skyscraping hooks of their soft rock classics, this isn’t the sound of a band resting on its laurels; if anything, this is one the group’s most adventurous records, which may also be why it’s one of Air Supply's best.