Classical music captures the spirit of romance like no other music and this charming collection of perennial favorites includes music from the most romantic of composers - Chopin, Rachmaninov, Tchaikovsky, Puccini and many more. The set is themed for every romantic mood, with the first two discs devoted to the stirring passion of orchestral music, the second two to the intimacy of solo piano music, and the last two to the wide-ranging emotions of opera. Includes music from three works written for the greatest love story ever told, Shakespeares Romeo and Juliet, with music from Tchaikovskys overture, Prokofievs ballet and the main theme from the soundtrack to Franco Zeffirellis film, by Nino Rota. Recordings from some of the world s greatest artists including Luciano Pavarotti, Joan Sutherland, Sir Georg Solti, Herbert von Karajan, Vladimir Ashkenazy, Radu Lupu, Nigel Kennedy and Bryn Terfel.
Born in Brooklyn, raised in Switzerland, resident of Toronto, and recording in Memphis, singer Shakura S'Aida turns in her second solo album, Brown Sugar, for the German Ruf Records label. On her first CD, UMI's Blueprint, she sang blues cover songs from the 1940s and ‘50s, but here she and her guitarist, Donna Grantis, have penned nine of the 11 songs themselves. They have done so in some familiar blues styles, starting with the opening trio of 12-bar blues tunes, "Mr. Right," "Walk Out That Door," and "Gonna Tell My Baby," then going on to less hardcore variations such as the blues-rock found on "(Did It)" Break Your Heart" and the bluesy piano ballad "Angel on High"…
Manushan est née suite à la rencontre d’Aïda Nosrat (chanteuse, violoniste) et Babak Amir Mobasher (Guitariste). Les deux artistes, auteurs-compositeurs, sont au cœur de ce groupe. La musique de Manushan est le point de rencontre du Flamenco, du Jazz Manouche et de la musique et poésie traditionnelle persane avec un zeste de musique Azéri (Turquie, Iran, Azerbaïdjan). Dans ce projet sont évoqués des thèmes universels comme l’amour, le voyage, ou encore les pérégrinations philosophiques de ce couple de créateurs iraniens du 21ème siècle, aux riches influences.
Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairo’s new opera house, Verdi’s Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast featuring the American soprano Kristin Lewis, who exhibits “a remarkable voice, which she uses with powerful dramatic instinct” (La Stampa), and the Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris “dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence” (La Gazzetta Musicale) is first-rate. All were united in praise of Noseda: “he controls everything - orchestra, singers, chorus, dancers, acrobats – with an all-encompassing overview” (La Stampa); “he knows exactly when it’s time to linger over a timbre, a colour, an expressive chord” (Corriere della Sera).