Ai Japanese

Satirizing the Roman Porno genre, and the Office Lady Journal series in particular. Naomi Tani and Yuko Katagiri appear as themselves in the film, making fun of their on-screen personae.

Koreyoshi Kurahara adapted a novel by Yukio Mishima for Thirst for Love (Ai no kawaki), a tense psychological drama about a young woman who is widowed after marrying into a wealthy family, and becomes sexually involved with her father-in-law, while harboring a destructive obsession with the family gardener. Kurahara’s atmospheric style is a perfect match for Mishima’s brooding sensuality.

Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they forsake all, even life itself.

This dynamic and conceptful album is a collaboration between two Japanese musicians - Jazz pianist Ai Kuwabara and drummer Shun Ishiwaka. Even though the intriguing personality collides with each other, it resonates and it is finished in a concept album with a feeling of liveliness full of energy full that could only be formed by these two people.

This book empirically explores how different linguistic resources are utilized to achieve appropriate workplace role inhabitance and to achieve work-oriented communicative ends in a variety of workplaces in Japan. Appropriate role inhabitance is seen to include considerations of gender and interpersonal familiarity, along with speaker orientation to normative structures for marking power and politeness. This uniquely researched edited collection will appeal to scholars of workplace discourse and Japanese sociolinguistics, as well as Japanese language instructors and adult learners of Japanese. It is sure to make a major contribution to the cross-linguistic/cultural study of workplace discourse in the globalized context of the twenty-first century.