Their fourth LP, entitled Agnus Dei, is fast, furious, and fucking hostile. The Italian four-piece comes charging straight out the gate like the hounds of hell are after them, and head straight for Golgotha. Their black metal influences set them apart from the majority of their labelmates, drawing a nifty little line between the past and present of Anderson's roster and repping hard for Team Satan while they're at it. Antireligious sentiment is no foreign concept to either black metal, death metal, grind, or crust punk, and it's satisfying to see that a band as invested in perfecting and perverting all four sounds is just as serious about doing the Devil's work.
Baldassare Galuppi held the position of church organist, from which he composed operas for the Italian stage. Since his forte was the keyboard, his operas have nice harpsichord recitatives (which usually I detest) and the harmonics are contrapuntal. Galuppi as a youth had studied counterpoint under Antonio Lotti, the first organist at St Mark's. Galuppi became cembalist in the great opera houses of Venice, and was involved in the first presentations of Vivaldi's operas there. Galuppi himself wrote at least 111 operas, the best of which are collaborations with the librettist Goldoni. The young Mozart reused some of the librettos that already existed in settings by Galuppi, and the mature Mozart raised to sublime heights the dramma giocoso form which Galuppi practically invented. This release supplies a missing link between Mozart and the opera world before his time.
Léo Ferré (1916-1993) was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death. He released some forty albums over this period, composing the music and the majority of the lyrics. He released many hit singles, particularly between 1960 and the mid-seventies. Some of his songs have become classics of the French chanson.
L'oscura morte di Roberto Calvi, ritrovato impiccato sotto il ponte dei Frati Neri, a Londra, è il culmine di una storia criminale che non ha precedenti nella cronaca nera europea. Frutto amaro degli intrighi e delle cospirazioni illegali che hanno regolato e regolano la vita politica italiana, la vicenda di cui Calvi è stato vittima e protagonista al tempo stesso presenta una galleria di personaggi talmente ambigui e pericolosi – dalla mafia all'Opus Dei passando per i servizi segreti italiani, inglesi e americani – da far impallidire i protagonisti de Il codice Da Vinci. …