The first and best wave of L.A. punk bands from 1977-1979 all broke up under-documented and unsigned, with the exception of X, the Germs, and, to a lesser extent, the Plugz. But the legacy of incredible pioneers such as the Weirdos, Dils, Controllers, and Screamers was the wide success of the harder, faster, younger bands that followed. The interest the 1977 bands awakened not only inspired the formation of Black Flag, Circle Jerks, T.S.O.L., Social Distortion, Agent Orange, Fear, the Adolescents, and others, but helped create a national market, enabling the newer bands to find labels, put out albums, and tour regularly. the Adolescents were perhaps the first of this second wave to put out an LP widely distributed throughout the U.S., selling well over five digits in 1981 (following on the heels of San Francisco's Dead Kennedys, who broke the doors open with their immortal Fresh Fruit for Rotting Vegetables the previous year).
The opera Platée by Jean Philippe Rameau is not just a comic opera but an opera in which the Gods of Olympus play a part. With his tragedies lyriques Jean Baptiste Lully had banned all comical characters from the opera, and musical comedies had become unfashionable. Thanks to works by André Campra and Jean-Joseph Mouret, however, the genre had not disappeared completely, and Rameau made his own contribution with Platée.
The Mogao grottoes, a World Heritage Site near the town of Dunhuang in western China, are located on the edge of the Gobi Desert, along the ancient caravan routes—collectively known as the Silk Road—that once linked China with the West. …
'It’s possible to recreate everything about an eighteenth century opera except the audience,’ says director Robert Carsen in a documentary included with this DVD. ‘My work is for modern audiences.’ And how. Les Boréades (1763) is Rameau’s last opera, and tells the story of Alphise, a queen torn between her obligation to marry a Boréade (a descendant of the god Boreas) and her love for a poor young Apollonian priest. In this brilliant production, Carsen goes to the heart of the drama by turning the piece into a contest between the forces of tradition and innovation, with the Boréade court dressed in severe, tightly tailored 1940s Dior and the Apollonians in loose white linen… (Classic fM)
Celtic Woman's fourth holiday collection, which features the talents of Chloë Agnew, Lisa Lambe, Máiréad Nesbitt, and for the first time since 2007, Méav Ní Mhaolchatha, arrives just a year after 2011's German-exclusive Celtic Family Christmas. Offering up the usual mix of amiable holiday pop ("I'll Be Home for Christmas," "Santa Claus Is Coming to Town," "Winter Wonderland") and triumphant, faith-based classics ("Joy to the World," "Hark the Herald Angels Sing," "We Three Kings"), Home for Christmas doesn’t deviate at all from the formula, which after selling over six-million records worldwide, shouldn’t come as too much of a surprise.–by James Christopher Monger