This hour-long video with the late Emily Remler covers some of jazz guitar's most important topics, such as true bossa nova style, samba rhythms, unique chord positions, alternating bass lines, syncopated guitar parts, passing chords, jazz minor scales, arpeggio licks, learning to put various scales over certain chords, eighth-note improvisation, II-V progressions and V-I resolutions. Truly a jazz master class!
It's hard to imagine a more in-depth and advanced lesson on jazz guitar than this masterpiece by Larry Coryell. All of his years of experience and knowledge come into focus as he works on how to play over changes, substitute chords and licks, turnarounds, breaking down complex single-note melodies, blues/jazz styles, swing comping, combining Django-style with modern “walking” bass lines, Coltrane phrases, Lenny Breau-style “waterfall” harmonics, “outside” playing, Gabor Szabo octaves, special stretch exercises, working with dissonance and even more! Larry shows throughout the tape how he's just as incredible a teacher as he is a player, and we can assure you, there's enough information here to keep any guitarist busy for a long time.
With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.
Originally called Steps when it was formed in 1979 by vibraphonist Mike Mainieri, this group at various times has included tenor saxophonist Michael Brecker; keyboardists Don Grolnick, Eliane Elias, and Rachel Z; guitarist Mike Stern; bassists Eddie Gomez and Darryl Jones; and drummers Peter Erskine and Steve Smith, among others.
Features 24 bit remastering and comes with a mini-description. Although Joe first came to big fame in the US as a funky vamper and soloist behind Cannonball Adderley's big group of the 60s, this early album as a leader has a much more mature sound than Joe's funky work with Cannon – and it rightly earns the "third stream" tag in the title through the use of an enlarged ensemble that includes cello and viola, in addition to the core group of soulful players like Jimmy Owens, Richard Davis, and Freddie Waits. William Fischer's also on the record on tenor, and many of the tracks are his own compositions, with that kind of weird off-kilter, slightly serious approach he used on other Atlantic/Vortex sessions at the time. The mix of soul and serious scoring is actually a pretty darn compelling blend – as you'll hear on tracks like "Lord, Lord, Lord", "Soul Of A Village", and "The 5th Canto".