This hour-long video with the late Emily Remler covers some of jazz guitar's most important topics, such as true bossa nova style, samba rhythms, unique chord positions, alternating bass lines, syncopated guitar parts, passing chords, jazz minor scales, arpeggio licks, learning to put various scales over certain chords, eighth-note improvisation, II-V progressions and V-I resolutions. Truly a jazz master class!
It's hard to imagine a more in-depth and advanced lesson on jazz guitar than this masterpiece by Larry Coryell. All of his years of experience and knowledge come into focus as he works on how to play over changes, substitute chords and licks, turnarounds, breaking down complex single-note melodies, blues/jazz styles, swing comping, combining Django-style with modern “walking” bass lines, Coltrane phrases, Lenny Breau-style “waterfall” harmonics, “outside” playing, Gabor Szabo octaves, special stretch exercises, working with dissonance and even more! Larry shows throughout the tape how he's just as incredible a teacher as he is a player, and we can assure you, there's enough information here to keep any guitarist busy for a long time.
With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.
Renowned Berklee College of Music faculty guitarist Jon Finn, combines his experience, education, and stylistic versatility in this eclectic series of lessons for aspiring rock guitarists. Jon's innovative approach is unique, fun, and challenging. The book/CD set and DVD both offer a well researched original take on the use of pentatonic scales in rock improvisation. Using his "Warp Refraction Principle" which takes into account the major third tuning interval between the second and third strings, Jon presents a series of five vertical patterns applied in two-string increments throughout the fretboard. The philosophy behind this project is to present concepts and techniques as a thought process rather than simply providing a reference manual.