A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next?
Pléïades was composed during the 1978-79 period upon the appointment of the city of Strasbourg. The composition was played for the first time by Les Percussions de Strasbourg at a performance staged by Les Ballets du Rhin on May 3, 1979. In 1985, the Makoto Aruga Percussion Ensemble of Japan recorded the music for the first time. Les Percussions de Strasbourg, to which Xenakis dedicated this work, also recorded it in 1986 with the composer in attendance.
EMI Classics presents the world premiere release of three of Thomas Adès' new works recorded live, partly conducted by the composer himself, and, in the case of Tevot, by Sir Simon Rattle with the Berliner Philharmoniker.
"A mythic tale of a young queen who chooses to abdicate her throne rather than be forced into a marriage with a descendant of Boreas, god of the North Wind.
Les Boréades was abandoned in rehearsals at the Paris Opera in 1763 for reasons unclear to this day. Rameau died the following year and the work disappeared from puplic view."
"Dardanus was first performed at the Académie de musique in Paris on November 19, 1739. It received 26 performances, mainly because of the support from Rameau's followers in the dispute between the styles of Rameau and Lully.
Critics accused Rameau's original opera of lacking a coherent plot. The inclusion of the sea monster also violated the French operatic convention of having a clear purpose for encounters with supernatural beings."
Violinist Augustin Hadelich, one of the fastest-rising stars of his generation, releases his first major concerto recording, pairing the Violin Concertos of Jean Sibelius and Thomas Adès, only the second recording of British composer’s work. He is superbly supported by Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra.
A cello recital with a difference from two maverick geniuses, displaying the fecundity of their collaboration. The world-famous cellist Steven Isserlis, one of the best-loved instrumentalists of today, joins forces with composer and pianist Thomas Adès, described by the New York Times as one of the most imposing figures in contemporary music.