Dope funk, psychedelic soul and acid jazz from New York City '70-'74. UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One. Double slimline jewel case. 2000 release.
14 Track compilation album featuring Jamiroquai, Benjamin Zephaniah & others.
The first 30 seconds of Voodoo Funk Project's debut album will send listeners scurrying to the liner notes looking for the recording date: "Black Magic" is Blackbyrds-style funky soul-jazz, right down to the vintage synth whooshes that lazily ripple across the sound field and the introduction of an extremely 1970s-vintage clavinet part about two minutes in. The rest of the album maintains this retro vibe, unsurprising since the brain behind this U.K. foursome is producer and programmer Geoff Wilkinson, formerly half of acid jazz pioneers Us3.
This Is Acid Jazz Vol. 7: Steppin' Out (INS514, 50:17) is a low-key affair, showcasing the usual suspects (Shakatak, The JB Horns, Gota) and talents deserving wider recognition (The Sharpshooters, Woody Cunningham). Perfect beat moments: CFM Band's churning Bobby Byrd ("Get on up/Get into it!")/Headhunters/Tom Browne-pastiche "Make It Funky CFM," Cunningham's straight-outta-'70s funk-on-a-slow-roll "Tonite."
Drummer Idris Muhammad's first two albums as a leader (Black Rhythm Revolution! and Peace and Rhythm) are reissued in full on this single CD. The former set has a few worthy tracks (including Muhammad's colorful feature "Soulful Dreams"); the latter recording…has a pair of soul vocals and some R&B material. Trumpeter Virgil Jones and saxophonist Clarence Thomas get in their spots, and the music is danceable.
Both Volumes I and II of Jazz-Funk Guitar on one DVD. In Volume I, John's multi-faceted style is covered in depth as he discusses intervallic ideas, string-skipping, chordal concepts, playing ideas across the fingerboard, and developing a personal sound. In Volume II, John covers the compositional aspect of his style as he analyzes the songs performed on this DVD and reveals the correct chord voicings and melody lines. Using his own tunes, John goes over concepts such as chromaticism, form, contour, voice-leading, pedal tones, and contrary motion.