About...st. Louis Blues

Teddy Wilson - St. Louis Blues (2017) [DSD128 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at Nov. 5, 2017
Teddy Wilson - St. Louis Blues (2017) [DSD128 + Hi-Res FLAC]

Teddy Wilson - St. Louis Blues (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 44:57 minutes | 2,03 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 44:57 minutes | 695 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Universally regarded as one of the supreme keyboard masters of the swing era, Teddy Wilson refined the stride piano tradition established by James P. Johnson and Fats Waller and introduced qualities of elegance, delicacy and finesse that earned him wide-spread acclaim and a great number of imitators.

Dave Brubeck Featuring Paul Desmond - St. Louis Blues (2003)  Music

Posted by Domestos at Sept. 27, 2017
Dave Brubeck Featuring Paul Desmond - St. Louis Blues (2003)

Dave Brubeck Featuring Paul Desmond - St. Louis Blues (2003)
EAC Rip | FLAC (tracks+.cue, log) ~ 241.46 Mb + 17.48 Mb (Scans) | 53:06
Cool, West Coast Jazz | Label: Jazz Selection (DB-7424)

David Warren Brubeck (December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered to be one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities.

St.Louis Blues Guitar taught by John Miller [repost]  eBooks & eLearning

Posted by house23 at March 16, 2017
St.Louis Blues Guitar taught by John Miller [repost]

St.Louis Blues Guitar taught by John Miller
DVD5 | VOB | MPEG2 5000kbps | English | 720x480 | 29.97fps | 1h 35mins | AC3 stereo 256kbps | 3.98 GB
Genre: Video Training

The city of St. Louis played host, in the 1920s and 1930s, to one of the most distinctive and vital blues scenes ever documented on record. Like Memphis and Atlanta, St. Louis served as a sort of magnet, attracting musicians from the surrounding hinterlands and providing performance opportunities that were not available out in the country. Many of the St. Louis musicians were transplanted Mississippians, like Charley Jordan, while others, like Clifford Gibson and Teddy Darby, originally hailed from Kentucky. The various early influences that the music of these players displayed ended up coalescing into something that might be called the “St. Louis sound”.

St. Louis Blues Guitar  eBooks & eLearning

Posted by FenixN at Aug. 24, 2016
St. Louis Blues Guitar

St. Louis Blues Guitar
DVDRips | MKV/AVC, ~2091 kb/s | 720x540 | Duration: 01:35:17 | English: AAC, 44.1 kHz(2 ch)
Audio CDs in MP3 / English: MP3, 256 kb/s (2 ch) | Duration: 00:17:42
PDF booklet
Size: 1.16 GB | Genre: Guitar Lessons

The city of St. Louis played host, in the 1920s and 1930s, to one of the most distinctive and vital blues scenes ever documented on record. Like Memphis and Atlanta, St. Louis served as a sort of magnet, attracting musicians from the surrounding hinterlands and providing performance opportunities that were not available out in the country. Many of the St. Louis musicians were transplanted Mississippians, like Charley Jordan, while others, like Clifford Gibson and Teddy Darby, originally hailed from Kentucky. The various early influences that the music of these players displayed ended up coalescing into something that might be called the “St. Louis sound”.

St. Louis Blues Guitar taught by John Miller  eBooks & eLearning

Posted by thingska at March 11, 2015
St. Louis Blues Guitar taught by John Miller

St. Louis Blues Guitar taught by John Miller
DVD5 | VOB | NTSC 4:3 (720x480) | MPEG2, 29.970 fps, 5000 Kbps | English: AC3, 256 Kbps , 48.0 KHz, 2 channels | 95 min | 3.98 GB
PDF Booklet (34 pages) + MP3 256 Kbps | Genre: Guitar lessons
Nat King Cole - St Louis Blues (1958) [VINYL] - Orig press MONO - 24-bit/96kHz plus CD-compatible format

Nat King Cole - St Louis Blues (1958) [VINYL] - Orig press MONO
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u's, md5 checksum, no cue or log (vinyl) | Filesonic + FF
330 MB (24/96) or 125 MB redbook | Artwork | Jazz Vocal | 1958

A masterpiece from the King. One of Will Friedwald's DIDs.

Louis Armstrong - 1992 - St Louis Blues  Music

Posted by jorodolfo at March 21, 2009
Louis Armstrong - 1992 - St Louis Blues

Louis Armstrong - 1992 - St Louis Blues
MP3 | 320 Kbp/s | 64:57 min | 149 Mb
Genre: jazz/Blues
Louis Armstrong - Satchmo: Louis Armstrong's 20 Golden Greats (1996) {Music World}

Louis Armstrong - Satchmo: Louis Armstrong's 20 Golden Greats (1996) {Music World}
EAC Rip | FLAC with CUE and log | scans | 320 mb
MP3 CBR 320kbps | RAR | 154 mb
Genre: jazz, vocal jazz, big band

Satchmo: Louis Armstrong's 20 Golden Greats is a 1996 compilation CD by American jazz legend Louis Armstrong. This was released by Australian label Music World.
Louis Armstrong - Louis Armstrong Plays W.C. Handy (1954) [Reissue 1999] PS3 ISO + Hi-Res FLAC

Louis Armstrong And His All-Stars - Louis Armstrong Plays W.C. Handy (1954) [Reissue 1999]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:37 minutes | Scans included | 2,44 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,58 GB

Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections".
Louis Armstrong - 50 Essentials of Louis Armstrong (2014) [Official Digital Download 24/96]

Louis Armstrong - 50 Essentials of Louis Armstrong (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 171:21 minutes | 1,51 GB
Studio Master, Official Digital Download | Artwork: Front cover

Louis Armstrong was the first important soloist to emerge in jazz, and he became the most influential musician in the music's history. As a trumpet virtuoso, his playing, beginning with the 1920s studio recordings made with his Hot Five and Hot Seven ensembles, charted a future for jazz in highly imaginative, emotionally charged improvisation. For this, he is revered by jazz fans. But Armstrong also became an enduring figure in popular music, due to his distinctively phrased bass singing and engaging personality, which were on display in a series of vocal recordings and film roles. This set impressively boils down one of the most brilliant and lengthy careers in music: 50 tracks from six record labels and 42 years.