Music by Danish composer Anders Koppel (b 1947) springs from disparate musical influences. He was trained as a clarinetist and pianist, and since his father Herman was a composer and pianist, Anders grew up in a classical environment. But he also spent years in an experimental rock band. His musical language is tonal, with pungent dissonance, and his harmonies take interesting turns. Of the three concertos offered here, the Sinfonia Concertante (2007) for violin, viola, clarinet, bassoon, and orchestra is the most absorbing.
Gerhard completed his unnumbered Symphony "Homanaje a Pedrell" twelve years before his Symphony No 1 (1952-3). Its genesis may have been a long drawn-out affair, the opening movement suggesting that is did not begin as a symphony. Perhaps as early as 1922, the year of Felipe Pedrell’s death, Gerhard began to contemplate this tribute to his revered teacher with whom he studied from 1915 to 1920. The tribute is based on ……
Gerhard was commissioned to write his Fourth Symphony in 1966 by the New York Philharmonic Orchestra and it was first performed in New York on December of that year, conducted by William Steinberg. The following year the score was revised for its continental premiere. In terms of orchestral forces, Gerhard made the most of the commission and scored it for quadruple woodwind, six horns, four trumpets, four trombones, tuba, celesta, piano, two harps, four timpani, four percussion players and full string orchestra. The overall form of the symphony is extremely ….
Gerhard was one of last century's major composers, and his Third Symphony is one of the first and most successful works to incorporate electronic sounds into a live orchestral context. It's very difficult to describe exactly what this music sounds like–it's not tonal, certainly, but it's also very attractive as pure sound, and there are recurring ideas ("gestures" or "structures" may best describe them) that unify the musical argument. To that extent, the music is certainly "difficult," but it would be wrong to assume that it's difficulty is a function of some fiendish complexity designed to mystify the listener…….David Hurwitz @ Amazon.com
As mentioned in his autobiographies, Telemann's encounters with Eastern European gypsy music influenced his own compositions. The young composer must have been enthralled by the wonderful inventiveness of this music, as typified in this recording with the last movements of the Caprice Symphony and the Concerto in e minor for recorder and flute.