Who doesn't love a lullaby? As a tribute "to all mothers and children", singer Montserrat Figueras offers this unusual program of 18 such songs from diverse sources and anonymous composers–Portuguese, English, Greek, Catalan, Hebrew, Sephardic, and North African–as well as pieces written by the likes of Byrd, Mussorgsky, Reger, Falla, Milhaud, and Pärt (two lullabies composed for this recording). Accompaniments show the stylish hand and always-tasteful imaginings of Jordi Savall and the instrumentalists of Hesperion XXI–viols, guitar, flutes, psaltery, harp–and, in three tracks, the piano of Paul Badura-Skoda. Although the liner notes prime us to expect very simple, repetitive tunes, Figueras transforms these ostensibly sleep-inducing songs into high, mind-and-ear-engaging art, embellishing, shaping, and imbuing them with deeply felt expression, sometimes wistful and at others fervent, but always delivered as if in intimate, personal touch with her listener(s).
Although the first full consort of viols did not arrive in England until 1540, there were actually several intriguing examples of what are now called "consort" music from before that time. Of course, the homogenous viol consort became supreme, and the present program (also featuring some 2-lute arrangements) focuses on the first part of that repertory. This developed at Elizabeth's court in the 1570s & 1580s, among professional musicians, but based on relatively restrictive models. Some pieces in the present program are composed freely, heralding the next step in consort development which, along with the small output of Byrd, allowed the English consort idiom to fully flower. Of course that was followed closely by the even larger and more famous repertory of consort music by composers such as Gibbons which was eventually geared more toward amateur players.
Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. The music of George Gershwin, but taken to some great late night territory by the trumpet of Charlie Shavers! The album's a sublime "with strings" date – one that has Charlie blowing beautifully over backdrops from Sy Oliver – charts that certainly use some string instruments, but often in a very spare, mellow way – so that once Shavers gets going, his trumpet is right out front – often with a beautifully moody tone! Titles include "I've Got A Crush On You", "Embraceable You", "Liza", "Summertime", "But Not For Me", and "It Ain't Necessarily So".