…FIM put a great deal of loving attention into this reissue, and it has paid off. Some of the original lines notes are reprinted and the front cover is a frame for a reproduction of the original LP’s cover. The music is currently available on a Decca CD coupled with Falla’s Love the Magician, and at less than half the cost of this xrcd, but sonically it doesn’t come even close. In fact, I found the xrcd to actually surpass the Cisco vinyl Super Analog Disc reissue on most counts. It is cleaner, has a more extended frequency range, and not the slightest troublesome surface noise or even hiss – the vinyl having both…
Olivia Ong is a Singaporean singer who found success in Japan with English-language renditions of bossa nova classics.
Although the cover art might suggest that this compiles, features, or in some way includes material from Michael Nesmith's four-year (1966-1970) tenure as a Monkee, this isn't the case at all. Additionally confusing matters is that the same 25 tracks on this collection are replicated – right down to the exact running order – on the unimaginatively titled Best Of: Original Hits. Regardless, the contents of both have been culled from Nesmith's first half-dozen post-Monkees long-players. The tune stack is well represented by the First National Band LPs Magnetic South (1970), Loose Salute (1970), and Nevada Fighter (1971) – plus, to a much lesser extent, Tantamount to Treason (1972), And the Hits Just Keep on Comin' (1972), as well as Pretty Much Your Standard Ranch Stash (1973). Nesmith's penchant for penning quirky country & western-flavored pop songs can be directly traced back to his Monkees material, such as "St. Matthew," "Good Clean Fun," and "Magnolia Simms." During this period he was also woodshedding material for future endeavors.
This sampler SACD contains music from such artist as Sinne Eeg, Quadro Nuevo, Scott Hamilton, Nicki Parott, Fragile, Simone Kopmajer, Martina Eisenrich and more.
2015 Remastered Audiophile Edition. Issued in a replica of the original gatefold cover with a 24 page booklet including new liner notes, credits, lyrics and a Charly Records advertising booklet. Digitally remastered from the original BYG 1/4-inch analogue master tape at Soundmastering Limited, London. This LP was recorded during full moons of May, & June & September, 1971 at Strawberry Studios ("Honky Chateau") Herrouville, Normandy, France
The Joker is the eighth album by Steve Miller Band, released in 1973. The album marked a period of significant change for the group as the band abandoned their psychedelic oriented music for a more melodic, smooth rock/blues sound. Perhaps not coincidentally, it was also their first solid commercial success due to the strong radio-play of the title track. The title track took 19 days to record. The album reached #2 on the Billboard 200 and has been certified Platinum in the United States.
There are many Gene Ammons recordings currently available on CD in Fantasy's Original Jazz Classics, since the versatile tenorman was a longtime Prestige recording artist. Unlike his earlier jam sessions, this particular outing finds Ammons as the only horn, fronting a talented rhythm section (pianist Tommy Flanagan, bassist Doug Watkins, drummer Art Taylor, and Ray Barretto on congas). Ammons explores standards (including a near-classic version of "Canadian Sunset"), blues, and ballads in his usual warm, soulful, and swinging fashion. This is a fine outing by one of the true "bosses" of the tenor.