Features the latest remastering. Includes a Japanese description, lyrics, and bonus tracks. Features original cover artwork. The complete recordings done by John Coltrane for Bethlehem Records – mostly cut during December of 1957, and issued on the albums The Winner's Circle and Art Blakey Big Band! Both albums were a bit unusual for the label – in that The Winner's Circle was sort of a blowing/jam session type record, cut with some of the big poll winners of the year, but with shorter tracks than the usual Prestige-styled set of that nature. The lineup includes Donald Byrd, Al Cohn, Eddie Costa, Oscar Pettiford, and Philly Joe Jones – and Coltrane's a bit buried in the group, but gets out some nice licks from time to time.
An idiosyncratic, girlish voice, snappy, flawless deliverance, and an irrepressible sense of light-hearted swing made Blossom Dearie one of the most pleasant singers of the vocal era. Her tenderness and glisten ensured that she'd never treat standards as the well-worn songs they often appeared in less competent hands. And though her reputation was made on record with a string of excellent albums for Verve during the '50s, she remained a draw with Manhattan cabaret audiences long into the new millennium.
Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. Wonderfully sweet work from trumpeter Charlie Shavers – a set that has Shavers blowing on ballads over larger orchestrations – in a style that's really our favorite side of his music! Charlie's horn already has a long legacy by the time of this record – a slightly mature style that sounds wonderfully as he drifts magically over string-heavy backings from Sy Oliver – in a mode that's warm and lush, yet also beautifully soulful, and manages to really personalize the familiar tunes in the set. Titles include "Stella By Starlight", "Ill Wind", "Stormy Weather", "Out Of Nowhere", "Stardust", and "I Cover The Waterfront".
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this!
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Although it was scheduled for release two times, Memphis to New York Spirit didn't appear until 1996, over 25 years after it was recorded. The album comprises the contents of two separate sessions – one recorded in 1970 with guitarist James "Blood" Ulmer, drummer Leroy Williams and saxophonist/flautist Marvin Cabell; the other recorded in 1969 with Cabell, Williams, and saxophonist George Coleman – that were very similiar in concept and execution.
Reissue with the latest remastering. Comes with liner notes. A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways that are often a bit more organically building and spacious than some of Phil's more intense Rhythm Machine albums – showing a new sensitivity in Woods' music, but one that still has plenty of room for searing, searching solo moments! Titles include "Django's Castle", "A Little Peace", "Brazilian Affair", "I'm Late", "Superwoman", "High Clouds", "How's Your Mama", and "Rain Danse".
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Pounding! This is the long-awaited re-release of a lost session that Blakey recorded in 1958, with a triple-drum rhythm group that included himself, Philly Joe Jones, and Roy Haynes – plus some additional conga work by Ray Barretto. Unlike other Blakey "drum orgy" sessions, though, this one's got a much straighter jazz feel – with plenty of solo space for trumpeter Lee Morgan and pianist Bobby Timmons.
Features 24 bit remastering and comes with a mini-description. On May 3, 2000, John Lewis turned 80 – and almost half a century after the formation of the Modern Jazz Quartet, he could still inspire a variety of reactions. Over the years, Lewis' detractors have insisted that his piano playing is too polite and overly mannered; his admirers, however, have exalted him as the epitome of class and sophistication. To be sure, Lewis' pianism is quite sophisticated, but that doesn't mean that he doesn't swing or that he isn't soulful. Recorded in 2000 and released in early 2001, Evolution II isn't going to convert anyone who isn't already an admirer of the pianist's cool jazz/third stream approach.
New Remaster. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A blinding session by Blakey! Truly one of his all-time great ones, and a record we've been putting on the turntable for 20 years, still always with new delight! The session was recorded in 1961 – when Blakey was working with Bobby Timmons, Lee Morgan, and Wayne Shorter (who's especially fantastic here!) For some incredibly odd reason, the session was not issued at the time – and only came out briefly at the end of the 60s. It's amazing, though – and features 6 stunning tracks that will forever restore your faith in jazz, even at your darkest moments. Includes "Ping Pong", "Roots & Herbs", "Master Mind", "Look At the Birdie", and "United".