With nearly as many lineup changes as one of their influences, Yes, Arena was one of the dominant neo-prog groups of the 1990s. A supergroup of sorts, Arena has featured former members of Marillion, Pendragon, IQ, and Shadowland. Arena was formed in 1994 by Mick Pointer, the former drummer of Marillion, and Clive Nolan, the former keyboardist of Pendragon. The group was rounded out by the addition of Cliff Orsi (bass), John Carson (vocals), and Keith More (guitars). Their first album, Songs From the Lions Cage (1995), was a strong neo-prog debut with aggressive playing that brought comparisons to Fish-era Marillion and contained lengthy tracks with long guitar and moog solos…
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.
Although the titles to several of the tracks may be the same as those at Broad Chalke, the performance in front of a large audience has a much grander and at times, darker feel, to the previous evening. The difference can be heard almost immediately in the opening track. Whereas, The Apparent Chaos of Stone was a more languorous affair at Broad Chalke, here at Bishop’s Cleeve, Fripp begins to throw some startling curve-balls of pensive guitar after only a few minutes. Given the slow silky tones that makes up much of the opening piece it can be easy to miss some of the detailed interplay that occurs between the two players.
As the League head north, possibly chastened by the previous evening’s encounter with a mouthy fan in London, there’s only a rather fleeting stage announcement from Fripp tonight. There’s a business-like feel to the concert which is not to say that it’s in any way deficient or lacking. Rather, the band maintain a tight focus on the notes perhaps rather than it’s spirit. Major hits are scored with Hepataparaparshinokh and the wild-card sorties that are Thrang Thrang Gozinbulx I & II have the effect of bulldozing aside any doubts or worries about such matters.