Alta Capella

"A la ferrarese" - Bassedanze, balli e canzoni -- Alta Capella und Citharedi der Schola Cantorum Basiliensis

"A la ferrarese" - Bassedanze, balli e canzoni - Italian Instrumental Music of the 15th Century
Alta Capella und Citharedi der Schola Cantorum Basiliensis

EAC | FLAC IMG+CUE+LOG | Complete HQ Scans (PDF) | 1CD | 234 MB + 11 MB (scans)
Classical: Renaissance | Deutsche Harmonia Mundi GD77143 | 1991 (rec. 1984)
Nicholas McGegan, Pal Nemeth, Capella Savaria - Handel: Terpsicore, Alcina (orchestral parts), Ariodante (ballet music) (1993)

Nicholas McGegan, Pál Németh, Capella Savaria - Handel: Terpsicore, Alcina (orchestral parts), Ariodante (ballet music) (1993)
EAC | FLAC | Image (Cue & Log) ~ 292 Mb | Total time: 61:20 | Scans included
Classical | Label: Hungaroton | # HCD31193 | Recorded: 1993

Terpsicore (HWV)(8b) is a prologue in the form of an opéra-ballet by George Frideric Handel. Handel composed it in 1734 for a revision of his opera Il pastor fido which had first been presented in 1712. The revision of Il pastor fido with Terpsicore as the prologue was first performed on 9 November 1734 at Covent Garden theatre in London, opening Handel's first season in that newly built theatre. Terpsicore mixes dance along with solo and choral singing and was patterned after models in French operas, a particular source being Les festes grecques et romaines by Louis Fuzelier and Colin de Blamont, first presented in Paris in 1723. The work featured the celebrated French dancer Marie Sallé as well as stars of Handel's Italian operas and was a success with audiences of the day.
Capella de Ministrers, Carles Magraner - La Spagna: Danzas del Renacimiento Español (2007)

Capella de Ministrers, Carles Magraner - La Spagna: Danzas del Renacimiento Español (2007)
EAC | WavPack (image+.cue, log) | Covers Included | 72:01 | 375 MB
Genre: Classical | Label: Licanus | Catalog: CDM 0718

La Capella de Ministrers y su fundador, el violagambista y director valenciano Carles Magraner, celebran por todo lo alto los veinte años de andadura de un conjunto que es hoy ya una referencia inexcusable en el mundo de la música antigua. Y lo hacen mediante una exposición fotográfica que se acaba de inaugurar en Valencia y dos lanzamientos discográficos: un recopilatorio de su trayectoria, que lleva el inspirado título de Tempus Fugit y una absoluta novedad, el album La Spagna, recorrido por el universo de las danzas del Renacimiento español.
Thomas Ihlenfeldt, Capella Orlandi Bremen - Reinhard Keiser: Der Geliebte Adonis (2001)

Thomas Ihlenfeldt, Capella Orlandi Bremen - Reinhard Keiser: Der Geliebte Adonis (2001)
EAC | FLAC | Image (Cue & Log) ~ 930 Mb | Total time: 217:22 | Scans included
Classical | Label: CPO | # 999 636-2 | Recorded: 1999

Keiser dominated the Hamburg opera scene between 1697, when Adonis was first performed, and 1717, resuming activities there some six years later. Christian Postel’s plot centres around Ovid’s celebrated account of the love affair between Adonis and Venus, who, in this version of the story is jealously watched over by Mars. Postel’s libretto is very long-winded and not well-sustained; but it offered Keiser the opportunity to provide over three-and-a-half hours of music, much of which, especially in Act III, is of enormous charm and variety. The score is a stylistic melting pot containing French and Italian ingredients as well as those of the German Lied. Some of the most beguiling music belongs to the minor roles – ‘Klagt, ihr Nymphen’ (Act III, Scene 9) brings to mind Purcell, and is among the most memorable of the arias. If the entire piece seems a daunting prospect, fear not, since arias from four of Keiser’s operas, including Adonis – though the booklet wrongly attributes one of these arias to a non-existent fourth act – appear on a single disc, sung with accomplishment and charm by Elisabeth Scholl with La Ricordanza. But the other offers a much more satisfying picture of Keiser’s ability as a dramatic composer.
Nicholas Anderson
Musica Fiata, La Capella Ducale, Roland Wilson - Giovanni Gabrieli: Christmas in Venice (2012)

Musica Fiata, La Capella Ducale, Roland Wilson - Giovanni Gabrieli: Christmas in Venice (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 79:17 | 397 MB
Genre: Classical, Sacred | Label: Deutsche Harmonia Mundi | Catalog: 88691944742

This instrumental ensemble is appreciated for its dynamic vivacity, virtuosic precision, and the historical accuracy of its performance practices. The ensemble has been invited to many of the most important festivals, including the Prague Spring, Flanders Festival, Festival Oude Muziek Utrecht (Ancient Music Festival of Utrecht), Bach Tage Berlin (Berlin Bach Days), Ansbacher Bachwoche (Ansbach Bach Week), the York Early Music Festival, and Wratislavia Cantans.

capella-software capella-scan 8 v8.0 Build 24 + Portable  Software

Posted by speedzodiac_ at Dec. 11, 2017
capella-software capella-scan 8 v8.0 Build 24 + Portable

capella-software capella-scan 8 v8.0 Build 24 REPACK + Portable | 57 / 42 Mb

Scan sheet music with capella-scan. Dispatch re-typing of sheet music to a nuisance of the past Let capella-scan transform your sheet music quickly into a ringing score that is ready for editing and printing!

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Posted by speedzodiac_ at Dec. 11, 2017
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Create scores with capella - quick, easy, affordable. No other notation program will take you by the hand and gently guide you towards your first own score in the manner in which capella does it. There is no need to be fully computer literate - you just follow your musical imagination and capella does the rest. Within no time you will have completed your first score sheet.

capella-software capella 7 v7.1 Build 37  Software

Posted by speedzodiac_ at Dec. 11, 2017
capella-software capella 7 v7.1 Build 37

capella-software capella 7 v7.1 Build 37 REPACK | 26.68 MB

Create scores with capella - quick, easy, affordable. No other notation program will take you by the hand and gently guide you towards your first own score in the manner in which capella does it. There is no need to be fully computer literate - you just follow your musical imagination and capella does the rest. Within no time you will have completed your first score sheet.
Montserrat Figueras, La Capella Reial De Catalunya, Hesperion XXI, Jordi Savall - Metamorphoses Fidei (2006)

Metamorphoses Fidei (Metamorfosis De La Fe - Métamorphoses De La Foi) (2006)
Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XXI

EAC | FLAC | Tracks (Cue&Log) ~ 322 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Classical, Renaissance, Vocal, Choral | Label: Alia Vox | # AV 9849 | 01:12:14

This disc of Iberian and Latin American Renaissance music is a reissue cleverly disguised as a new release. It compiles music from several recordings by Catalonian visionary Jordi Savall, his luminous-voiced collaborator Montserrat Figueras, and his Hesperion XXI and Capella Reial de Catalunya ensembles, dressing them up with a new set of rather philosophical booklet notes on themes of change, of intercultural tolerance, and of the evolving nature of Christianity in the Iberian realm and in New Spain. Some might call this a cynical ploy, but actually Savall has always been moving in a circle, so to speak, spiraling inward toward a deeper musical understanding of the historical themes touched on here: the lingering effects of the legacy of medieval Iberia and its "mestissage" or mixture of cultures, the reign of Holy Roman Emperor Charles (Carlos) V (did you know that he was both the first monarch to be called "His Majesty" and the first to be honored with the claim that the "sun never set" on his empire?), and the relationships between cultivated and popular styles, both in Iberia and the New World.
Gli Scarlattisti, Capella Principale & Jochen M. Arnold - Praetorius: Gloria sei dir gesungen (2017)

Gli Scarlattisti, Capella Principale & Jochen M. Arnold - Praetorius: Gloria sei dir gesungen
Classical, Choral | WEB FLAC (tracks) & d. booklet | 71:32 min | 320 MB
Label: Carus | Tracks: 14 | Rls.date: 2017

Michael Praetorius is, without doubt, one of the trailblazing composers of the late 16th and early 17th centuries. His synthesis of simple, folk-like chorales with the lush aesthetics of the new Italian style make him one of the most multifaceted and innovative musicians of his time. For the Reformation Year 2017, the ensemble Gli Scarlattisti under the direction of Jochen M. Arnold presents a series of his chorale concertos for larger ensembles, based mainly on texts by Martin Luther and Philipp Nicolai. With their witty and eloquent musicianship, the performers invite their listeners to explore the impressive oeuvre of one of the fathers of Protestant church music!