Alta Capella

"A la ferrarese" - Bassedanze, balli e canzoni -- Alta Capella und Citharedi der Schola Cantorum Basiliensis

"A la ferrarese" - Bassedanze, balli e canzoni - Italian Instrumental Music of the 15th Century
Alta Capella und Citharedi der Schola Cantorum Basiliensis

EAC | FLAC IMG+CUE+LOG | Complete HQ Scans (PDF) | 1CD | 234 MB + 11 MB (scans)
Classical: Renaissance | Deutsche Harmonia Mundi GD77143 | 1991 (rec. 1984)

Capella de la Torre - Una serata venexiana (2017)  Music

Posted by SERTiL at Oct. 20, 2017
Capella de la Torre - Una serata venexiana (2017)

Capella de la Torre - Una serata venexiana
Classical | WEB FLAC (tracks) & d. booklet | 69:23 min | 372 MB
Label: deutsche harmonia mundi | Tracks: 23 | Rls.date: 2017

Featuring the rarely heard music of the transition from Renaissance to Baroque, Deutsche Harmonia Mundi brings you Una Serata Venexiana (An Evening in Venice). Capella de la Torre, headed by Katharina Bäuml, received the Echo Klassik Award as “Ensemble of the Year” in 2016. This acclaimed group of musicians now spirits listeners away to 16th-century Venice, one of the most important and innovative musical capitals of its day.
Gli Scarlattisti, Capella Principale & Jochen M. Arnold - Praetorius: Gloria sei dir gesungen (2017)

Gli Scarlattisti, Capella Principale & Jochen M. Arnold - Praetorius: Gloria sei dir gesungen
Classical, Choral | WEB FLAC (tracks) & d. booklet | 71:32 min | 320 MB
Label: Carus | Tracks: 14 | Rls.date: 2017

Michael Praetorius is, without doubt, one of the trailblazing composers of the late 16th and early 17th centuries. His synthesis of simple, folk-like chorales with the lush aesthetics of the new Italian style make him one of the most multifaceted and innovative musicians of his time. For the Reformation Year 2017, the ensemble Gli Scarlattisti under the direction of Jochen M. Arnold presents a series of his chorale concertos for larger ensembles, based mainly on texts by Martin Luther and Philipp Nicolai. With their witty and eloquent musicianship, the performers invite their listeners to explore the impressive oeuvre of one of the fathers of Protestant church music!
Capella de Ministrers, Carles Magraner - Peregrinatio - Ramon Llull: crònica d'un viatge medieval (2016)

Capella de Ministrers, Carles Magraner - Peregrinatio - Ramon Llull: crònica d'un viatge medieval (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 64:19 | 328 MB
Genre: Classical, Choral | Label: Capella de Ministrers | Catalog: CDM 1638

Peregrinatio is the second part of the trilogy Ramon Llull: lúltim pelegrinatge.The music of this album will accompany the first Ramon Llull's travels outside the territories of the Crown of Aragon and Majorca. After his years of learning and his failed experience of founding the Monastery of Miramar, Llull personally will take the reins of the project and since 1287 we will find him traveling around the Mediterranean to present their missionary projects to Kings and Popes: the first trips draws musical scene of Llull s visit to Paris and music that move us to Genoa, where he plans to sail to Tunisia.

Capella de la Torre - Ciaconna (2015)  Music

Posted by SERTiL at March 27, 2017
Capella de la Torre - Ciaconna (2015)

Capella de la Torre - Ciaconna
Classical | WEB FLAC (tracks) & d. booklet | 68:12 min | 352 MB
Label: Deutsche Harmonia Mundi | Tracks: 20 | Rls.date: 2015

Dix ans d’existence déjà pour le délicieux en sensuel ensemble Capella de la Torre, fondé en 2005 et dont l’objectif était – et est toujours – de redonner vie à la musique de la fin du Moyen-Âge et de la Renaissance pour bois et cuivres, avec adjonction de voix et de basse continue confiée au luth ou à l’orgue, le tout enrobé d’une solide percussion à l’ancienne de genre pratiquement « populaire ».
Capella de Ministrers - Ramon Llull: The Last Pilgrimage. A Chronicle of a Medieval Voyage Vol.1-3 (2016) {3CD Digital 16bit}

Capella de Ministrers - Ramon Llull: The Last Pilgrimage. A Chronicle of a Medieval Voyage Vol.1-3 (2016) {3CD CDM Digital Download 16Bit CD Quality}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (qobuz.com) -> 1.03 Gb | MP3 @320 -> 497 Mb
Artwork (pdf+jpg) | 5% repair rar
© 2016 Capella de Ministrers | CDM 1637 / CDM 1638 / CDM 1639
Classical / Medieval / Vocal / Early Music / 13th Century Music

Capella de Ministrers is an early and medieval music ensemble formed in 1987 in Valencia, Spain by its director, the Valencian musicologist Carles Magraner. Capella de Ministrers is recovering the musical heritage from an astounding and up-to-date perspective:early music combined with the latest technology. This first album of the trilogy dedicated to Ramon Llull , "Conversion, study and contemplation," illustrates the youth of Ramon Llull, devoted to sensual pleasures to profane love and the cultivation of the troubadour lyric, seen through the prism of the convert who has left the vanities of the world.

Larry Yuma - Volume 07 - Dramma Nell'Alta Sierra (2017)  Comics

Posted by edi1967 at Oct. 14, 2017
Larry Yuma - Volume 07 - Dramma Nell'Alta Sierra (2017)

Larry Yuma - Volume 07 - Dramma Nell'Alta Sierra (2017)
Italian | 100 pages | CBR + PDF | 101 MB

L'albo si apre con la storia che dà il titolo al volume, Dramma nell'Alta Sierra, che vede Larry scoprire casualmente uno sbocco secondario in una grotta isolata, diventato rifugio per una donna coraggiosa e i suoi due misteriosi coinquilini. Ne I quattro messicani, il protagonista salverà un ragazzino e sua sorella da una banda di messicani inspiegabilmente intenzionati ad aggredirli. L'idea alla base di Nel deserto degli scheletri, episodio nel quale Larry cerca di salvare la vita al vecchio amico Archie finito a cercare l'oro nel deserto e finisce per rischiare, insieme a lui, la pelle nel deserto infuocato, tornerà in una storia breve di Tex dal titolo Morte nel deserto.
Capella Sanctæ Crucis & Tiago Simas Freire - Zuguambé - Harmonia Nova #3 (2017)

Capella Sanctæ Crucis & Tiago Simas Freire - Zuguambé - Harmonia Nova #3
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 57:22 min | 280 MB
Label: harmonia mundi | Tracks: 19 | Rls.date: 2017

This ensemble takes its name from the Chapel of the Monastery of Santa Cruz de Coimbra in Portugal, from where the unpublished musical manuscripts on which the heart of the work is elaborated contribute to the sound research into the origins of Portuguese Baroque music.

Andreas Spering, Capella Augustina - Handel: Imeneo (2003)  Music

Posted by ArlegZ at Sept. 23, 2017
Andreas Spering, Capella Augustina - Handel: Imeneo (2003)

Andreas Spering, Capella Augustina - Handel: Imeneo (2003)
EAC | FLAC | Image (Cue & Log) ~ 543 Mb | Total time: 51:58+70:13 | Scans included
Classical | Label: CPO | # 999 915-2 | Recorded: 2002

This opera, Handel's penultimate, is relatively direct, both in its scoring–just strings and oboes–and its plot: Rosmene (soprano) must choose between Tirinto (mezzo-soprano), whom she loves and who loves her, and Imeneo (bass-baritone), who rescued her from pirates. Rosmene's confidante Clomiri (soprano) loves Imeneo, but it is unrequited; he loves Rosmene. Argenio (bass) is Rosmene's father; he wants her to marry Imeneo. This simplicity might lead you to believe that the opera is lightweight or emotionally void (it was referred to as an "operetta" at its premiere), but it's remarkable how involved the listener gets in the plot. Until the very last moment we don't know who Rosmene will select, and furthermore, when she feigns madness because she must choose between duty and love, she either feigns it so well that we believe her too, or like Hamlet, she actually is mad–at least for a little while. She opts for duty and picks Imeneo, explaining in a brief final aria that she's like a boat at the mercy of the wind that has gone from one shore to another: "Dear deserted shore," she sings to Tirinto, "if fate took it elsewhere, how did the unfortunate boat commit a sin?"
4790405
Chór Astrolabium, Capella Bydgostiensis & Kinga Litowska - Martín Palmeri: Magnificat
Classical, Choral, Vocal | WEB FLAC (tracks) & d. booklet | 46:12 min | 230 MB
Label: DUX | Tracks: 11 | Rls.date: 2017

Martín Palmeri began to work on the Magnificat dedicated to mixed choir, soprano and mezzo-soprano solo, string orchestra, bandoneon, and piano in 2010. He was guided by an idea to create a piece, which would be stylistically and emotionally close to the Misa a Buenos Aires – Misatango, yet much more difficult for the performers, and more sophisticated as far as the rhythm and polyphony are concerned. The composition was ended in 2012 and its world premiere took place in Milan. The source of the text of the Magnificat is the Gospel of Luke (1:46-55).