Due isole erranti si incontrano in mezzo al mare per dare vita ad un intenso viaggio musicale; dalle voci ancestrali dei tenores alle melodie intense e accattivanti in puro stile jazzy, dalle ispirazioni classiche all’improvvisazione contemporanea, dal ballo sardo ai ritmi solari caraibici per arrivare infine all’uso attento e ispirato della “boghe”, la voce solista del tenore barbaricino che, inserito in una tessitura musicale apparentemente lontana, assume una nuova dimensione e un grande fascino.
The Messiaen celebrations come to an overwhelming climax with this superb 32-CD set of his complete works. The limited edition, from Deutsche Grammophon, is a one-of-a kind deluxe edition. The crowning gem of this box set is a performance of the two piano Visions de l'Amen with Olivier Messiaen and Yvonne Loriod, recorded in Paris in 1962.
This recording has never received the respect it has deserved. The sound has been cleaned up and it is a Culshaw production with the VPO. It is fairly early in Karajan's career so the mannerisms that people fault him for are not so much in evidence. Del Monico is in great voice. This role needs an Italianate voice which is why I have never warmed to Domingo performances of the role. A great deal.
-By Grant C. Creeger-
John Eliot Gardiner’s recording was made live at the Göttingen Festival in 1988 … the exhilaration and intensity of the performance come over vividly, with superb singing from both chorus and an almost ideal line-up of soloists … as for the Monteverdi Choir, their clarity, incisiveness and beauty are a constant delight.(Penguin Guide)
There are both good and bad points to this CD. Of the latter, the Phillip Morris "Super Band" is confined to background work with - other than a few spots for Plas Johnson's tenor - no soloists being heard from. As an ensemble, the all-star orchestra performs well, but is essentially anonymous. Also, despite the backing, B.B. King does not attempt to play jazz, a wasted opportunity. But, switching to the good points, Live at the Apollo is an excellent example of a strong B.B. King live performance. Somehow he always makes his combination of blues and familiar hits sound fresh. With a liberal amount of space set aside for his guitar solos, B.B. is in top form throughout the well-paced set, which is far superior to most of his overproduced studio sessions for MCA…