Peter Holman is a conductor known particularly for his interpretations of post-Renaissance English music, but he has also received acclaim for his performances of the works of European masters of the Baroque period, including Handel, Telemann, Vivaldi, and Monteverdi. He has recorded extensively for the English label Hyperion and has established parallel careers as a harpsichordist, organist, teacher (Royal Academy of Music and Colchester Institute), and music journalist.
Many musicians lived and were musically active during multiple jazz periods, and some of them actually made significant contributions during all of the periods during which they recorded. But few can claim, as Miles Davis could, to have actually helped design the architecture in every case. Bebop, cool, and fusion all have Davis' handprints deep in the cement of their foundations, and this disc documents some of his best work during the second of those periods. In the mid-'50s he started what would be a tumultuous musical relationship with John Coltrane, and what would eventually become one of the greatest combos in jazz history began to coalesce: alto saxophonist Cannonball Adderley, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones in addition to Davis and Coltrane.
Maria Szymanowska Piano Duo is formed by two pianist associated with the Academy of Music in Łódź. The guiding thought of the joint activity adopted by the artists is to promote Polish music and works of less known composers, whose pieces are gradually being forgotten. Polish music, to which the present CD including four hands piano music is dedicated, occupies a special place in their output.
Most listeners will never have heard the name Ivan Khandoshkin (1747-1804), but violinist Anastasia Khitruk has admirably undertaken to bring this little-known solo-violin repertoire to wider attention. Published in the early years of the 19th century, Khandoshkin’s Op. 3 sonatas show the influences we might expect, given the composer’s exposure to a court musical environment that included musicians from Italy, Germany, and France.
Trumpeter Don Ellis (1934-1978) led one of the most memorable big bands of all time; actually several of them. During 1965-1975, his orchestras blazed their own unusual path, becoming famous for their utilization of ridiculously complex time signatures (seven/four and nine/four were commonplace for those musicians), a mixture of acoustic and electronic instruments, and a crazy sense of humor. Milcho Leviev's musical career in the United States began when he emigrated from Bulgaria in 1971 to join Don Ellis' band. Leviev found the unusual time signatures to be second nature and he was featured on "Bulgarian Bulge."