One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano.
Ace Records first-ever exploration of the late 1940s hillbilly & western swing masters issued (& in many cases unissued) by Modern/Colonial/Flair Records. Drawing on material recorded in Texas, Louisiana, & Hollywood, 'Swingbillies' offers many important early recordings by young hopefuls who, in many cases, went onto become major country singers & musicians in the 50s & 60s - among them Jimmy Bryant, Ramblin' Jimmie Dolan, Jimmy C. Newman, Link Davis & of course Bill Woods, the godfather of Bakersfield country. 28 tracks.
Space Invader is the sixth solo album by former Kiss guitarist Ace Frehley, released on August 19, 2014 via eOne Music. It is his first album of new studio material since 2009's Anomaly. Frehley self-produced the album, which was recorded at The Creation Lab in Turlock, California. Upon release, the album reached No. 9 on the Billboard 200 albums chart, the only time a solo album from a past or current Kiss member has ever attained a US top 10 album position.
This collection of rarities from the Sceptor vaults strengthens the case for the Shirelles to be considered the finest of the girl groups of the 60s. Lost & Found succinctly describes this rare collection of Shirelles material. The remastering job is excellent here and equally fine on all other Shirelles collections re-issued on the Ace label. Hooray!!!!
28 slices of down’n’dirty blues from the Deep South – including eight previously unheard tracks and takes. The “By The Bayou” series leaps to Volume 18 with a return to the blues of South Louisiana, bringing you rare or previously unissued tracks from stars of the genre such as Lightnin’ Slim, Lazy Lester and Slim Harpo, plus a host of little-known or completely unknown performers. We also have two artists who you would never think performed in the downhome style – Barbara Lynn and Cookie (aka Huey Thierry) – but who sound right at home, with an unknown harmonica player setting the tone on Barbara’s track whilst Cupcakes guitarist Marshall Laday supports Cookie with some mean blues pickin’. In fact there are several tracks here that will have air-guitar virtuosos reaching for their imaginary axes.
Two dozen rare B-sides from Stax Records’ “blue” period, many reissued for the first time. An enormous and impressive undertaking, “The Complete Stax-Volt Singles 1959-68” box set was issued in 1991. While pleased with its content, hardcore collectors were nevertheless disappointed that it was not as “complete” as it claimed to be, as it featured all the A-sides and only selected B-sides. While highly welcome, its release left more than 100 of approximately 225 “blue period” Stax and Volt B-sides un-reissued in any form. Several of those sides have since featured on CD compilations, either as individual tracks here and there or on Kent’s recent “The Other Side Of The Trax”, but that still left many awaiting reissue. Fortunately, the success of “The Other Side Of The Trax” has warranted this second volume. The 24 tracks here span almost the whole of Stax Records’ blue period, as far back as when the label was still called Satellite.
During the final part of their career, the Stanley Brothers did most of their recording for the King label, laying down almost 200 sides for the company between 1958 and 1965. All of those tracks are available in box set form should you want them, but the ordinary fan will be satisfied with more selective samplers such as this one, which has a couple dozen cuts originally released in 1961-1966. The Stanley Brothers were a consistent enough act that the songs picked for best-of comps are pretty much up to the taste of the compiler, but this does a fine job both in the quality and the variety of the material presented. In addition to plenty of originals, there are also interpretations of songs by A.P. Carter, Alton Delmore, and traditional items.