The Remix Collection pulls together extended versions and remixes from ABCs first five releases (Lexicon of Love, Beauty Stab, How to be a Zillionaire, Alphabet City, and Up) that roughly approximates their greatest hits.
"The Remix Collection" pulls together extended versions and remixes from ABCs first five releases ("Lexicon of Love," "Beauty Stab," "How to be a Zillionaire," "Alphabet City," and "Up") that roughly approximates their greatest hits. The tracks skew heavily towards "Lexicon..." (three tracks), "...Zillionaire" (three tracks) and "Alphabet City" (two tracks) but also includes the non-album track "Alphabet Soup." The disc includes the beats per minute (BPM) for each track and the mixes are a must have for any fan of ABC or 80s dance music...
Vancouver techno-pop enterprise Delerium may be most widely known for getting Sarah McLachlan played in dance clubs; the famed songstress lent her vocals to their 1997 hit "Silence." DJ Tiesto's familiar dance-floor overhaul of the tune sets the pace for the double-disc compilation Odyssey, on which a procession of remix artists chop tracks from Delerium albums Semantic Spaces (1994), Karma (1997), and Poem (2000) into lengthy workouts…
Irish rock group Aslan were tipped at one point to follow in the footsteps of U2 in conquering America. Sadly, Aslan imploded in 1988 on the very day their debut single was due to be released stateside, but regrouped half a decade later and forged a legacy that has seen them become one of Ireland's most popular and enduring acts. Inspired by David Bowie, the Smiths, and the Rolling Stones, Aslan crashed onto the Irish music scene in 1986 with the release of debut single "This Is," an entirely self-funded effort that earned them a record deal with EMI Ireland and would go on to become the longest playlisted track in the history of Irish radio. Following their mid-'90s re-formation, Aslan's music became softer and more melodically mature, evoking the Beatles, Stevie Wonder, and contemporaries Oasis, and their domestic profile continued to rise through the '90s, establishing them as one of the country's most successful touring acts.
The complete BBC radio sessions, highlights from three concert broadcasts and over three and a half hours of interviews. Deluxe lift off lid 3-piece cigarette style box and 36 page booklet. Between February 1973 and October 1977, Queen recorded six sessions for the BBC – twenty four new and alternative recordings spanning four albums. They revisited nineteen different songs in all: My Fairy King (the first Queen song ever to be broadcast on radio), Liar, Son And Daughter, Doing All Right, Great King Rat, Modern Times Rock’n’Roll, Ogre Battle, Nevermore, White Queen, See What A Fool I’ve Been (a song that never appeared on any Queen studio album), Now I’m Here, Stone Cold Crazy, Flick Of The Wrist, Tenement Funster, Spread Your Wings, My Melancholy Blues, It’s Late, the only known studio recording of their dramatically different full-band ‘fast’ arrangement of We Will Rock You and the song that became their very first single Keep Yourself Alive. All six sessions have been remastered and feature here together for the very first time.
Discovery Records, just before its demise, did a great and wondrous thing by putting out four, count them, four Art of Noise CDs in one fell swoop. Art of Noise began in the mid-'80s and is now a touchstone to which all electronic music should be compared. While compiling their own collections, Discovery Records was able to take advantage of a excellent compendium ready for reissue. Ambient Collection had long been a jewel in many vinyl collections. These Art of Noise catalog remixes by Youth, bassist for Killing Joke, remain a classic of compositional ambient electronica. One of the themes to this ambient opus is explicitly stated in "Robinson Crusoe" and hinted at elsewhere. Art of Noise's Anne Dudley had mentioned just before the original 1990 release on a GLR Radio U.K. program that French composer Robert Mellin's main theme for "Robinson Crusoe" recalled here was one of her Top Ten favorite pop songs.
Long before ECM released its first remix album (for Nils Petter Molvær’s Khmer), it put out this, its first singles collection. Or so it’s nice to think: the title actually has nothing to do with the content. For their third album, Terje Rypdal & the Chasers instead spit out one of the most transcendent rock albums this side of the Milky Way. So much of that transcendence lies in the bandleader’s characteristic sere. When spurred on by the keyboard stylings of Allan Dangerfield and Audun Kleive’s clear-and-present drumming, he simply can’t go wrong.