Moving away from the guitar histrionics of Beauty Stab, Martin Fry reduced ABC to a duo of himself and Mark White for 1985's danceable How to Be a…Zillionaire! Incorporating light hip-hop rhythms, ABC made sure Zillionaire sounded contemporary for mid-'80s dance clubs, and as a result, some of the record sounds stiff and dated. Still, when Fry's sense of melody is on, as on the catchy single "Be Near Me," or when he works in his vicious, cynical wit, as on "How to Be a Millionaire" and "So Hip It Hurts," the record rivals the peaks of Lexicon of Love.
Two CD compilation by this New Wave band fronted by the suave and sophisticated Martin Fry. Disc One features 17 of their biggest hits including 'Look Of Love', 'Poison Arrow', 'When Smokey Sings', 'Be Near Me', 'All Of My Heart' and 'That Was Then, This Is Now'. Disc Two features 13 remixes, demos and live versions of some of their biggest hits plus the rare 'ABC Megamix'.
Traffic is the first new album of original material released by English band ABC in eleven years. The album's songs were written by lead singer Martin Fry while he toured the United States in 2006. Critics have described the album as the most 'satisfying ABC album since the mid-'80s by far'.
The Remix Collection pulls together extended versions and remixes from ABCs first five releases (Lexicon of Love, Beauty Stab, How to be a Zillionaire, Alphabet City, and Up) that roughly approximates their greatest hits.
"The Remix Collection" pulls together extended versions and remixes from ABCs first five releases ("Lexicon of Love," "Beauty Stab," "How to be a Zillionaire," "Alphabet City," and "Up") that roughly approximates their greatest hits. The tracks skew heavily towards "Lexicon..." (three tracks), "...Zillionaire" (three tracks) and "Alphabet City" (two tracks) but also includes the non-album track "Alphabet Soup." The disc includes the beats per minute (BPM) for each track and the mixes are a must have for any fan of ABC or 80s dance music...
Disney's animated classic takes on a new form, with a widened mythology and an all-star cast. A young prince, imprisoned in the form of a beast, can be freed only by true love. What may be his only opportunity arrives when he meets Belle, the only human girl to ever visit the castle since it was enchanted.
It’s not quite right to say that the Go-Go’s' 1981 debut, Beauty and the Beat, is where new wave caught hold in the U.S., but it’s not quite wrong, either. Prior to this, there had certainly been new wave hits – Blondie had been reaching the Top Ten for two years running – but the Go-Go’s ushered in the era of big, bright stylish pop, spending six weeks at the top of the U.S. charts and generating two singles that defined the era: the cool groove of “Our Lips Are Sealed” and the exuberant “We Got the Beat.” So big were these two hits that they sometimes suggested that Beauty and the Beat was a hits-and-filler record, an impression escalated by the boost the Go-Go’s received from the just-launched MTV, yet that’s hardly the case. Beauty and the Beat is sharp, clever, and catchy, explicitly drawing from the well of pre-Beatles ‘60s pop – girl group harmonies, to be sure, but surf-rock echoes throughout – but filtering it through the nervy energy of punk.