Frank Peter Zimmermann demonstrates his love for the music of Wolfgang Amadeus Mozart in his second installment of the violin concertos on Hänssler Classic. The Violin Concerto No. 2 in D major, K. 211, the Turkish-flavored Violin Concerto No. 5 in A major, K. 219, and the Sinfonia Concertante in E flat major, K. 364 complete the series and make a satisfying program, while Zimmermann's polished and lively playing complements his fine work on the first volume.
Will listeners raised on virtuoso performances of Mozart’s piano concertos be able to make room in the hearts for Christian Zacharias’ recordings with the Orchestre de Chambre de Lausanne? It depends on how willing they are to forego the pleasures of virtuosity for the pleasures music-making. This is not to say that Zacharias isn’t a virtuoso pianist. As his 20 years of recordings make very clear, he has talents & abilities far beyond those of most mortal pianists.
World premiere recordings
The interpretations from László Paulik using a Jahann Hentschl violin (c.1750) are of an exceptional standard with assured and expressive playing of purity and precision of intonation that at times takes the breath away. In the Allegros he displays astonishing virtuosity of great elegance with clean textures and articulation. I especially loved the heavenly sounds he displays and the high degree of emotional intensity in the contemplative and affecting Adagios. The sensitive support is impeccable displaying a wide spectrum of orchestral colours. Michael Cookson
Six piano concertos in a mere twelve months: in no other year was Mozart as productive in this genre as he was in 1784. Christian Zacharias and his Lausanne Chamber Orchestra have taken considerably more time with their interpretations of Mozart’s piano concertos – and with sensational results. This complete recording even now promises to occupy one of the top ranks on international lists: Zacharias is able perfectly and seamlessly to transfer his inimitable touch and sound culture to the orchestra.
Filmed in Vienna's Grosser Musikvereinssaal in the early 1980s, this fabled rendering of Mozart's complete violin concertos appears on DVD for the first time. Premier violinist Gidon Kremer unites with Nikolaus Harnoncourt and the Wiener Philharmoniker in a tribute to the musical genius Harnoncourt deems "the most Romantic composer of all".
Frank Peter Zimmermann is an excellent violinist, and an ideal Mozart interpreter. His rhythms are clean and crisp, his ornamentation appropriate, his vibrato always tasteful and expressive, and the tempos he and conductor Radoslaw Szulc adopt well-nigh ideal. Indeed, Mozart seems to represent the dividing line between successful historically informed and modern violin performance, with the former usually sounding dismal and the latter almost invariably proving satisfactory, at a minimum. This is ironic because, as we know, Mozart’s dad wrote the major 18th-century treatise on violin playing, and it’s amusing to hear performances that claim to follow Leopold’s rules come out sounding like dreck, as they so often do.