The works on this 2-CD set all come from a single source: a document called "Cancionero de Montecassino" which is believed to contain works composed between 1430 and 1480. Somehow the document has survived down through the centuries; it was almost lost when the Abbey where it was stored was bombed in 1944. Luckily the document survived so that this amazing CD set could be recorded by the - also amazing - Le Capella Reial de Catalunya. This CD is the second in a series entitled "Musicas Reales", the first of which being "Carlos V" containing works mainly from the 16th century. If you enjoyed that one, then "Alfons V el Magnanim" will be a welcome addition to your CD spinner.
Lawes's "sets" are actually suites for five or six viols with an organ playing "underneath" them. Each shortish set is broken into even shorter parts: Fantazy, Aire, Paven, etc.–and while the formula remains essentially the same, the textures and harmonies are constantly changing, with dissonances and conversations between and among the various strings giving the works great variety. On these two beautiful CDs (the first devoted to Five parts, the second to Six), Jordi Savall and Hesperion XXI play on a pair of violins, four viols, and organ, offering great contrast and flavor and making us aware of just how energetic and fascinating counterpoint can be. The colors the six (or seven) musicians get from their instruments and the interplay among them is fantastic; the playing is superb. Fans of any type of chamber music will want to hear what this underrecorded composer who died too young (43) added to the genre. It's as if he created a new language, one that seems to have been waiting to be heard. A lovely, thoughtful couple of hours of music-making.
She was the teenage siren from Akron, Ohio that Jake Riviera signed to Stiff Records in the 1970's at the height of the new wave. She enjoyed the backing of some fantastic bands like The Records, The Rumour (also doubling backing Graham Parker) and Fingerprintz, who would go on to record 4 albums of their own. (If you listen closely, you can hear labelmate Lene Lovich singing backup as well!) Being in such esteemed company, she gained street cred by covering Elvis Costello's "Stranger In The House" (a rarity included with initial copies of his second album) and hitting with singles like a cover of "B-A-B-Y", "Who Does Lisa Like", "Suspended Animation", "Pin A Medal On Mary" and more. In days long before American Idol was even conceived, Sweet stands out as one of the genuine vocal artists and brightest hightlights of the 70's new wave/postpunk era.