A. Scarlatti Passio

Deutsche Harmonia Mundi - La Legende en 25 CDs: Pergolesi, Rameau, Sainte-Colombe, A.Scarlatti (17-20)

Deutsche Harmonia Mundi - La Legende en 25 CDs: Pergolesi, Rameau, Sainte-Colombe, A.Scarlatti (2013)
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 4cd, 995 MB
Classical | DHM | 88883-71923

"deutsche harmonia mundi" ist eines der wichtigsten und ambitioniertesten Label für die authentische Interpretation und historische Aufführungspraxis. 2013 feiert das Label bereits sein 55-jähriges Bestehen.
Zu diesem Jubiläum erscheint nun eine hochwertige 25CD-Edition mit vielfach ausgezeichneten und von der Presse hochgelobten Aufnahmen sowie einem ausführlichen Einführungstext über die Anfänge und die Geschichte des Labels…
Gérard Lesne – French and Italian Cantatas: Bononcini, Caldara, Handel, A.Scarlatti (Re-Up)

Gerard Lesne - French and Italian Cantatas: Bononcini, Caldara, Handel, A.Scarlatti
Baroque | 5 CD | EAC | FLAC+CUE, LOG | Scans | 1,44 GB
TT CD1:62'41", CD2:65'20", CD3:67'52", CD4:59'48", CD5:70'00"
Il Seminario Musicale, Gérard Lesne
Released: 2008 | Label: Virgin Classics

…Now then: FIVE CDs of one male alto singing Baroque cantatas? If you suppose this would be too much of a good thing, you haven't yet grasped the expressive virtuosity of Gerard Lesne. The man sings every phrase with such engagement that you forget you're listening to a singer and imagine that you're hearing a passionate human 'speaking' musically just to you. There is also an immense range of compositional resources in baroque music - a bag of tricks, if you will - which only the finest performers like Lesne can fully exploit. And just in case you suffer from a short musical attention span, the generous producers oat Virgin Classics have built in a couple of instrumental sonatas to let your ears re-set…

Pergolesi - Stabat Mater & A. Scarlatti - Concerti grossi  

Posted by trackball at Oct. 7, 2008
Pergolesi - Stabat Mater & A. Scarlatti - Concerti grossi

Pergolesi - Stabat Mater & A. Scarlatti - Concerti grossi
Classical | Flac + Cue | 1 CD, Covers | Size: 328 MB | TT: 69:10 min.
date: 26 Nov 1997
Salieri-Prima La Musica Poi Le Parole, A.Scarlatti-Lesbina e Adolfo

Antonio Salieri - Prima La Musica Poi Le Parole
Alessandro Scarlatti - Lesbina e Adolfo

Classical | APE | 2 CD | Covers | 550 Mb | rs.com
Sanfilippo, Boemia Del Nord

Yevgeny Sudbin - Scarlatti: 18 Sonatas (2016)  Vinyl & HR

Posted by SERTiL at Oct. 23, 2016
Yevgeny Sudbin - Scarlatti: 18 Sonatas (2016)

Yevgeny Sudbin - Scarlatti: 18 Sonatas
Classical | FLAC (tracks) 24-bit/96 kHz | 74:30 min | 1.21 GB | Digital booklet
Label: BIS #BIS-2138 | Tracks: 18 | Rls.date: 2016

With the 2005 release of his first recording for BIS Records, Yevgeny Sudbin catapulted into the pages of the international music press. The disc was a Scarlatti recital that prompted reviewers worldwide to compare the then 24-year old pianist in the most flattering terms to Scarlatti experts such as Horowitz and Pletnev. It went on to receive a long list of distinctions, including an Editor's Choice in Gramophone, where the accompanying review described it as 'among the finest, certainly most enjoyable of all Scarlatti recitals'.

Yevgeny Sudbin - Scarlatti: 18 Sonatas (2016)  Music

Posted by tomashass at May 12, 2016
Yevgeny Sudbin - Scarlatti: 18 Sonatas (2016)

Yevgeny Sudbin - Scarlatti: 18 Sonatas (2016)
MP3 320 kbps CBR | 01:14:22 | 170MB
Genre: Classical | Label: Barclay

With the 2005 release of his first recording for BIS Records, Yevgeny Sudbin catapulted into the pages of the international music press. The disc was a Scarlatti recital that prompted reviewers worldwide to compare the then 24-year old pianist in the most flattering terms to Scarlatti experts such as Horowitz and Pletnev. It went on to receive a long list of distinctions, including an Editor's Choice in Gramophone, where the accompanying review described it as 'among the finest, certainly most enjoyable of all Scarlatti recitals'. Since then, Sudbin and BIS have enjoyed a highly successful collaboration, resulting in numerous acclaimed recordings of both solo programmes and concertos.
Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)

Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)
EAC | FLAC | Image (Cue&Log) ~ 349 Mb (incl 5%) | Mp3 (CBR320) ~ 146 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDA68045 | Time: 00:59:48

Steven Isserlis and Richard Egarr here assemble all the viola da gamba sonatas written by three composers born in the propitious year of 1685: one each by Handel and Domenico Scarlatti, and three by JS Bach. Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way. The dreamy, airy slow movement of Bach’s Sonata in G minor brings telling use of vibrato as Isserlis circles around Egarr, his playing at once idiomatic and soulful. An extra cellist reinforces the bass line in the Handel and Scarlatti, in which the composers give the harpsichordist only a framework; Egarr’s imaginative realisations ensure that even when Scarlatti is at his most repetitive, he is never dull.

Il samba di Scarlatti - Alberto Riva  eBooks & eLearning

Posted by Maroutan at Nov. 6, 2016
Il samba di Scarlatti - Alberto Riva

Il samba di Scarlatti - Alberto Riva
Italian | 2015 | 267 Pages | ASIN: B00W2TZHXM | EPUB | 374.56 KB

Franco Scarlatti, ex poliziotto mezzo milanese e mezzo napoletano, vive da molti anni a Rio dove guida, con successo, un'agenzia immobiliare affacciata sulla spiaggia di Copacabana. Amante della buona cucina e della musica, in rapporti non facili con la ex moglie Carol, Scarlatti vede la sua routine messa in crisi quando, all'alba di un bollente sabato grasso, viene ritrovato un cadavere vestito da Mandrake: è il famoso giornalista Gigi Fossati… In breve l'inchiesta della polizia giunge fino a lui, e così Scarlatti decide di intraprendere un'indagine parallela…

Lucas Debargue - Scarlatti, Chopin, Liszt, Ravel (2016)  Music

Posted by Designol at Oct. 3, 2016
Lucas Debargue - Scarlatti, Chopin, Liszt, Ravel (2016)

Lucas Debargue - Scarlatti, Chopin, Liszt, Ravel (2016)
EAC | FLAC | Tracks (Cue&Log) ~ 255 Mb (incl 5%) | Scans included | Time: 01:17:28
Genre: Classical | Label: Sony Classical | # 88875192982

The most-talked about artist of the 2015 Tchaikovsky Competition created huge excitement and world-wide media attention with his riveting background and “genius-like playing” (Boris Berezovksy). Debargue, who is 25, started the piano late at 11 years old, learning mostly in isolation. After dropping the instrument for three years to play in a rock band and study literature, he started formal piano training aged 20. Placed 4th, he was described by media as “the real winner” of the competition and received the Music Critics’ Association award as “the pianist whose incredible gift, artistic vision and creative freedom have impressed the critics as well as the audience.” Valery Gergiev, the competition’s chairman, broke protocol by letting Debargue play in the winners’ gala and not prizewinner Dmitry Masleev. Lucas Debargue's debut album is a live recording at the Salle Cortot in Paris and documents his first concert in his hometown after the competition. The centrepiece of his first recording is Ravel’s monumentally challenging Gaspard de la nuit.
Ivo Pogorelich - Johann Sebastian Bach: English Suites 2 & 3; Domenico Scarlatti: 4 Sonatas (1996)

Ivo Pogorelich - J.S. Bach: Englische Suiten 2 & 3; D. Scarlatti: 4 Sonaten (1996)
EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 445 573-2 | Time: 01:15:31

While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.