At a glance, this 35-track, two-CD set looks like it's combining two 1960s albums by the Ministry of Sound with bonus tracks. It's not; the Ministry of Sound issued just one single, and this is a witty facsimile of how their discography might have played out if things had turned out differently, complete with mock artwork for two LPs, one from 1966 and one from 1968. So almost all of these 35 cuts, all recorded between 1966-1968, were previously unreleased; the only two that actually came out in the 1960s were on the 1966 single "White Collar Worker"/"Back Seat Driver." The group did deserve better than just one official single, but nor was its output particularly deserving of deluxe treatment.
Otto Klemperer was very much a man of the theatre. “Here, opera and drama were truly united,” he said of his time at Berlin’s Kroll Theatre, a progressive and influential force in the heady years of the Weimar Republic. He was also a man with a sharp sense of humour: this performance of Mendelssohn’s incidental music to Shakespeare’s A Midsummer Night’s Dream both glows with enchantment and sparkles with wit.
Sommor presents the first ever legitimate reissue of Oberon's A Midsummer's Night Dream, one of the rarest psych-folk albums from the UK, originally released in 1971 in a private edition of 99 copies. Oberon consisted of seven young musicians who met while studying at Radley College in Oxford. Drawing upon such influences as Fairport Convention, The Pentangle, King Crimson, The Incredible String Band, and Sandy Denny, the group created a stunning piece of progressive folk. Fantastic sound and recording quality, killer flute, guitar, violin, haunting vocals, and medieval atmosphere. Now digitally remastered by band member and sound engineer Jeremy Birchall, the record sounds better than ever…
Split into two parts, shot in black and white, the opening chapter First Love, Yoshiko follows a Korean director (Lim Hyung-kook) who is scouting for locations for his next film in the Japanese rural town of Gojo, and is joined by his assistant director Mijung (Kim Sae-byuk) who interprets for him. There he meets the locals including an elderly lady and a civil servant (Ryo Iwase) who helps him tour the area. The second part, Well of Sakura, captured in colour, is inspired by a story told in the opening chapter of a romance between a Korean woman and a local man. Mijung is now an actress while the civil servant is a persimmon farmer as they walk around the town and learn about each other.