"The greatest songs never grow old, they just get better as a select wine." In this collection are collected 3 generations of romantic music of the 50's, 60's and 70's.
Love , lust and angst were the biggest topics of teen love songs back in the 50s, a time where the idols of the day , no longer your Mom and Dad s crooners, dominated the charts. The 1950s marked the birth of rock’n’roll. From big band tracks to jazz standards, until midway through the 20th century, music was a resolutely parent-friendly zone. But then everything changed. Elvis had flustered teenagers all shook up, while the likes of Chuck Berry, Jerry Lee Lewis and the like were destroying the old safety nets with a virile, passionate new sound.
After the wrenching but rewarding Geek the Girl, Lisa Germano widens her focus and brightens her outlook on Excerpts From a Love Circus. Of course, Love Circus is a Lisa Germano album, but it's a slightly lighter take on her vulnerable, folky dream-pop: only she could make the refrain "Bruises, bruises, bruises" equally catchy and disturbing. As the title suggests, Excerpts From a Love Circus collects vignettes about hating the one you love and loving the one you hate; once again, Germano captures awkward, abstract feelings with her dreamy arrangements, hooky songwriting and unflinching lyrics. Passive-aggressive love songs like "I Love a Snot" sport flourishes like toy pianos and tablas, and incisive comments like "A Beautiful Schizophrenic"'s "I know you like my bad side/I love you like my good side." Germano's dark, self-effacing sense of humor surfaces on "Victoria's Secret," which answers the question "What is Victoria's Secret?" for once and all: "She says 'You are ugly/I am pretty/Your man wishes/You looked like me".
Bring together an all-star lineup of singers and musicians, match them with accessibly romantic melodies and radio-friendly arrangements, and the results will either be lightweight pabulum or superb high-quality pop music. In the case of producer Jason Miles' A Love Affair, it's unquestionably the latter. Even after 30 years on the world music scene, Brazilian musician/composer Ivan Lins may not have had a high profile. However, as this tribute recording demonstrates, his music is as fine as anything that has come out of his native country since the bossa nova heyday of the early '60s. Taken individually, each of these songs is a piece of joyous musical exuberance. Taken as a whole, this recording is better than an hour with any radio station you're going to find on the dial or online.