A singer-songwriter can be anything from an unwelcome pub musical disaster to Bob Dylan. I have a negative disposition when I see an artist describe themselves as such as there is a great chance of being underwhelmed due to the liklihood is that the music is compiled simply of a man and a guitar…and the man could be anybody from an unwelcome pub musical disaster to Bob Dylan - and Bob Dylan has been done. If I do say so myself I am usually rather good at accurately comparing one musician or group with another, but Russell Joslin has left me stumped. This would mean that for one man and a guitar, he appears to have created a sound that hasn’t really been done before. It’s not a new genre and it’s not some abstract form of experimentation, it’s just what decent singer songwriter music should be, a man telling his story which if he’s telling it right is from a unique standpoint.
Following the success of his 2011 album Rose of Sharon a celebration of 18th Century American music that landed on Billboard s classical chart and critics year-end lists the latest project by Joel Frederiksen and the Ensemble Phoenix Munich takes them all the way back in time to… 1972. That was the year the late British troubadour and cult favorite Nick Drake released his third and final album, Pink Moon. Initially, the album garnered a small amount of critical attention, but it was not until decades after Drake s death that it received widespread public and critical acclaim. Today, the sparse and unadorned tracks of Pink Moon are regarded by many fans and music critics as the greatest efforts of a tragically short career.
All six albums Joan Baez recorded for A&M during the '70s with non-LP singles-a long-overdue look at a key phase in her career! This box has every note from this fertile period, including the albums Come from the Shadows, Gracias La Vida (Here's to Life), Diamonds and Rust , the live album From Every Stage and the never-before-on-CD Where Are You Now My Son? and Gulf Winds releases.
Relegated to a forlorn afterlife of unsmiling lost souls and melancholy drifters as a result of committing suicide in the mortal realm, a heartbroken young man sets out to find the girl who inspired his final act of self-destruction after learning that she too has taken her own life in director Goran Dukic's adaptation of Etgar Keret's darkly comic novella Kneller's Happy Campers. A likeable young man despite his depressive disposition, Zia (Patrick Fugit) puts blade to wrist only to find that the pain of life doesn't end with the coming of death. Now trapped in a bleak metaphysical landscape populated entirely by suicide victims blearily searching for the joys that eluded them in the physical realm, Zia soon learns that the love is one of the latest arrivals in the dreary land of the dead. As Zia sets out to locate his ill-fated former companion and experience the joys that eluded the couple in life, he is joined in his quest by a lovelorn Russian rocker named Eugene (Shea Wigham) and an accidental tourist named Mikal (Shannyn Sossamon), who's looking for a way out of the sorrowful stir.