96khz Purple

Vanilla Fudge - Renaissance (1968) ATCO Records/SD 33-244 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Vanilla Fudge - Renaissance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: ATCO Records/SD 33-244 | Released: 1968 | Genre: Psychedelic-Rock

Another fundamental brick in the prog-rock music wall.
This band started its career by doing artistic cover versions from tunes composed by other people, and this third album presents their own matured composing skills. Earlier "The Beat Goes On" was more like an abstract artsy tryout when compared to this masterpiece in my opinion. The most dominant elements are still the strong organ chord layers, powerful vocal harmonies and very strong emotional load, resembling a state of religious pathos.
Vanilla Fudge - Vanilla Fudge (1967) ATCO Records/SD 33-224 - 1st US Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Vanilla Fudge - Vanilla Fudge
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: ATCO Records/SD 33-224 | Released: 1967 | Genre: Psychedelic-Rock

Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Sweet – Level Headed (1977) Capitol Records/SN-16117 – US Pressing - LP/FLAC In 24bit/96kHz

Sweet – Level Headed
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Capitol Mastering By Ken Perry
Label: Capitol Records/SN-16117 | Released: 1977 | This Issue: 1978 | Genre: Progressive-Rock

Sweet struggled to earn credibility as album artists and/or score hits after finally wresting themselves free of songwriting/production team Nicky Chinn and Mike Chapman in the summer of 1974. They turned out a few albums before achieving both goals with Level Headed. The album gave them their final Top Ten hit with the dreamy “Love Is Like Oxygen,” a single that suggested that its accompanying record was a trippy mainstream pop record. Instead, it was one part of an ambitious sonic mosaic where Sweet tried a little bit of everything, cloaking it all in a neo-prog aesthetic.
El Reloj – El Reloj II (1976) Acid Nightmare Records/ANM013 – FR Pressing - LP/FLAC In 24bit/96kHz

El Reloj – El Reloj II
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Acid Nightmare Records/ANM013 | Release: 1976 | This Issue: 2015 | Genre: Hard-Progressive

Excellent addition to any prog rock music collection
One of South America’s better groups, El Reloj had an all too brief recording 70’s career and just two albums, their debut being in a much harder rock vein in the Purple line. This one is much proggier and is in my top ten South American records. Just like its predecessor’s reissue, the album starts out with bonus tracks (which I always found rather unsettling and non-respectful of the album itself. Fortunately this occurrence is rare enough in prog (I can only think of Germany’s Parzival with an even stranger set up where bonus tracks bookend the album tracks.
Grand Funk Railroad – Survival (1971) Capitol Records/SW-764 – Original US Pressing - LP/FLAC In 24bit/96kHz

Grand Funk Railroad – Survival
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Capitol Records/SW-764 | Released: 1971 | Genre: Hard-Progressive

By the time Grand Funk Railroad came to make Survival in January 1971, Cleveland Recording had moved to new quarters, and the group had become a national phenomenon, its last two albums Top Ten million-sellers.
Aretha Franklin - Aretha: With The Ray Bryant Combo (1961/2011) [Official Digital Download 24bit/96kHz]

Aretha Franklin - Aretha: With The Ray Bryant Combo (1961/2011)
R&B, Soul, Jazz, Vocal | FLAC (tracks), 24bit/96kHz | 63:35 Min | 1,17 Gb (incl 5%) | Front Cover
Label: Columbia/Legacy | Tracks: 22 | Released: 2011 (1961-02-27)

"Aretha: With The Ray Bryant Combo" is the second studio album by American singer songwriter, Aretha Franklin, released on February 27, 1961 by Columbia Records. The album is Aretha's first release for Columbia, and is also known under its working title Right Now It's Aretha and sometimes simply as Aretha. Following in the footsteps of her close friend Sam Cooke, Aretha was "discovered" by famed Columbia Records producer John H. Hammond, who on the cover notes of the 1973 edition of "The Great Aretha Franklin: The First 12 Sides" mentions, that she was in fact recommended by the composer Curtis Reginald Lewis.
Aretha Franklin - The Electrifying Aretha Franklin (Deluxe Edition) (1962/2014) [Official Digital Download 24bit/96kHz]

Aretha Franklin - The Electrifying Aretha Franklin (Deluxe Edition) (1962/2014)
R&B, Deep Soul, Vocal | FLAC (tracks), 24bit/96kHz | 48:43 Min | 955,42 Mb (incl 5%) | Front Cover
Label: Columbia/Legacy | Tracks: 19 | Released: 2014 (1962-03-19)

"The Electrifying Aretha Franklin" is the Queen of Soul’s sophomore album for Columbia Records. Produced by John Hammond, this intimate outing features hits including “You Made Me Love You,” “Rock-A-Bye Your Baby with a Dixie Melody” and “It's So Heartbreakin'.” This 1962 classic is an outstanding representation of Franklin’s undeniable power and musicianship. This deluxe reissue version contains seven bonus tracks.
Aretha Franklin - Runnin' Out Of Fools (1964/2011) [Official Digital Download 24bit/96kHz]

Aretha Franklin - Runnin' Out Of Fools (1964/2011)
R&B, Soul, Jazz, Vocal | FLAC (tracks), 24bit/96kHz | 38:53 Min | 722,52 Mb (incl 5%) | Front Cover
Label: Columbia/Legacy | Tracks: 16 | Released: 2011 (1964-11-16)

Runnin' Out of Fools is the seventh studio album by American singer Aretha Franklin. Runnin Out Of Fools is the birth of Aretha Franklin's soulful sound – a real change from the jazzier sound of her first two albums for Columbia, and a set that really shows some great sides of her talents! Arrangements are by Belford Hendricks, who creates an uptown-styled sort of sound – one that has fuller strings and a bit of backing vocals, but also a nice little groove at the bottom – territory that's somewhere between the country soul of the early 60s, and some of the tighter New York soul that was on the rise.
Aretha Franklin - Take A Look: The Clyde Otis Sessions (1964/2011) [Official Digital Download 24bit/96kHz]

Aretha Franklin - Take A Look: The Clyde Otis Sessions (1964/2011)
R&B, Soul, Jazz, Vocal | FLAC (tracks), 24bit/96kHz | 54:35 Min | 1,06 Gb (incl 5%) | Front Cover
Label: Columbia/Legacy | Tracks: 17 | Released: 2011 (1964)

Aretha Franklin has simply been one of the greatest singers of the modern generation, and whether bringing her powerful, passionate voice to bear on gospel standards, songs from the Great American Songbook, jazz standards, pop ditties, or deep Southern soul and R&B, she has always had the presence -- much like Ray Charles -- to make anything she touches unmistakably hers. Franklin began her career in gospel when she was still a teenager, and her amazing vocal talents, coupled with her fine piano playing, marked her as a once-in-a-lifetime kind of artist, qualities very apparent to legendary talent scout John Hammond, who signed her to Columbia Records.
Aretha Franklin - A Bit Of Soul (1965/2011) [Official Digital Download 24bit/96kHz]

Aretha Franklin - A Bit Of Soul (1965/2011)
R&B, Soul, Jazz, Vocal | FLAC (tracks), 24bit/96kHz | 53:56 Min | 952,40 Mb (incl 5%) | Front Cover
Label: Columbia/Legacy | Tracks: 22 | Released: 2011 (1965)

Aretha Louise Franklin (born March 25, 1942) is an American singer and musician. Franklin began her career singing gospel at her father, minister C. L. Franklin's church as a child. In 1960, at age 18, Franklin embarked on a secular career, recording for Columbia Records only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as 'Respect', '(You Make Me Feel Like) A Natural Woman' and 'Think'. These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.