96khz Cooke

Steve Hackett – Bay Of Kings (1983) Chrysalis PV 41572 – 1st US Sterling Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Steve Hackett – Bay Of Kings
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Sterling Sound
Label: Chrysalis PV 41572 | Released: 1983 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
To Steve Hackett, I followed his career from his beginnings with “Genesis” and his subsequent career as a soloist.

Sam Cooke - Page 3 girl June 9, 2015  Girls

Posted by nrg at Aug. 16, 2017
Sam Cooke - Page 3 girl June 9, 2015

Sam Cooke - Page 3 girl June 9, 2015
3 jpg | up to 1300*1865 | 999 KB
British glamour model
Dave Loggins – Apprentice (In A Musical Workshop) (1974) Epic/KE 32833 – US Pressing - LP/FLAC In 24bit/96kHz

Dave Loggins – Apprentice (In A Musical Workshop)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Epic/KE 32833 | Released: 1974 | This Issue: 197? | Genre: Country-Pop

Appearing the timeless “Please Come To Boston”
Kenny Loggins’ second cousin hit the big time for a couple of months in 1975 with “Please Come to Boston,” a serviceable and sentimental soft rock gem from his second album, Apprentice (In a Musical Workshop).
Black Sabbath – Paranoid (1970) Vertigo (Swirl)/6360 011 – Original DE Pressing - LP/FLAC In 24bit/96kHz

Black Sabbath – Paranoid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Pressed, Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant
Label: Label: Vertigo/6360 011 | Released: 1970 | Genre: Hard-Rock

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
The Jimi Hendrix Experience – Axis: Bold As Love (1967) Reprise Records/RS 6281 – US Pressing - LP/FLAC In 24bit/96kHz

The Jimi Hendrix Experience – Axis: Bold As Love
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Reprise Records/RS 6281 | Released: 1967 | This Issue: 1974 | Genre: Classic-Rock

Rolling Stone’s definitive list of the 500 greatest albums of all time.
83. The Jimi Hendrix Experience, ‘Axis: Bold as Love’
Reprise, 1968

Jimi Hendrix’s first album remade rock & roll with guitar magic that no one had ever dreamed of; his second album had even more sorcery.
Elton John ‎- Friends (1971) Paramount Records/PAS 6004 - 1st US Pressing - LP/Flac In 24bit/96kHz - FIXED TRACK 6

Elton John ‎- Friends
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200MB
Label: Paramount Records/PAS 6004 | Release: 1971 | Genre: Pop-Rock

A movie soundtrack that's about half instrumental, but it's not a tossoff: the vocal tracks are as carefully produced and enjoyable as Elton's "real" albums. Highlights include the gentle title track (a Top 40 single), the rocking "Honey Roll," and the anthemic "Can I Put You On." Taupin's lyrics are unusually direct meditations on love and friendship; if you like his more intellectual lyrics, you'll be disappointed, but if you find them annoying, this is an improvement. The low point is a syrupy Mantovani-like stringfest, "Seasons."
Earth & Fire ‎- Superstarshine Vol. 2 (1972) Polydor/2419 029 - 1st NL Pressing - LP/Flac In 24bit/96kHz - FIXED TRACK 4

Earth & Fire ‎- Superstarshine Vol. 2 (Single Compilation 1969-1972)
Label: Polydor/2419 029 | Released: 1972 | Genre: Progressive-Rock
Vinyl | LP Cover (1:1) | FLAC | 24bit/96kHz & 16bit/44kHz

Essential: A masterpiece of progressive rock music.
Featuring "Memories", "Invitation", "Song Of Marching Children"

This is not an simple compilation. No sir. This is only a collection of singles from 1969 to 1972. In this LP appears "Memories", an amazing hit single!
Humble Pie – Rock On (1971) A&M Records/SP 4301 – US Pressing - LP/FLAC In 24bit/96kHz

Humble Pie – Rock On
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: A&M Records/SP 4301 | Released: 1971 | This Issue: 1973 | Genre: Classic-Rock

On this, their second album for A&M, Humble Pie proved that they were not the “minor league Rolling Stones” as people often described them. Led by the soulful Steve Marriot, the Pie was a great band in every sense of the word.
Golden Earring – Moontan (1973) MCA Records/MCA-396 – Original US Pressing - LP/FLAC In 24bit/96kHz

Golden Earring – Moontan
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: MCA Records/MCA-396 | Released: 1973 | US Issue: 1974 | Genre: Heavy-Progressive

Essential: a masterpiece of progressive rock music
This was the first GE album I came in contact with back then. And it was quite a shock, I must say.
Some legendary tracks are featured here, and this album will be the showcase for their great live performances. From basic pop songs in their early days, the band has now evolved into a great hard- rock style tinted with special prog flavours (keys, flute, sax).
Andrew Lloyd Webber - Variations (1978) MCA Records/MCF 2824 - Original UK Pressing -  LP/FLAC In 24bit/96kHz

Andrew Lloyd Webber - Variations
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By Porky (Prime Cut)
Label: MCA Records/MCF 2824 | Released: 1978 | Genre: Symphonic-Rock

This is a genuine oddity in the career output of Andrew Lloyd Webber, growing out of a personal/familial vignette. The piece, a set of variations on Niccolo Paganini’s “Caprice No. 24” (which had previously inspired adaptations by Franz Liszt, Johannes Brahms, Sergei Rachmaninov, and Boris Blacher, among others), came about because Andrew Lloyd Webber lost a bet with his cellist brother Julian Lloyd Webber, and was obliged to compose a work for cello and rock band for him, which was premiered in August of 1977 at a music festival, and subsequently recorded and released on an LP (later transferred to CD) by MCA. At the time, progressive rock was still hanging on to some semblance of commercial viability, and in fairness, MCA had made a fortune off of Lloyd Webber’s work on Jesus Christ Superstar, etc.