This LP “7 Años” by León Gieco, is a review of seven-year career. Any doubt? The interesting thing is that it is not a compilation of different LPs as one might think and was for that reason that I bought this album.
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.
2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Previously I talked about to the country-folk era from Donovan (an era that I revere), and which are 3 LPs exactly: "What's Bin Did And What's Bin Hid" (1965), "Fairytale" (1965) and that I present today "Universal Soldier" (1967), which is not exactly an official LP, because is a compilation of various singles that appeared between his two first albums.
The classic Marley album, the one that any fair-weather reggae fan owns, Legend contains 14 of his greatest songs, running the gamut from "I Shot the Sheriff" to the meditative "Redemption Song" and the irrepressible "Three Little Birds." Some may argue that the compilation shortchanges his groundbreaking early ska work or his status as a political commentator, but this isn't meant to be definitive, it's meant to be an introduction, sampling the very best of his work. And it does that remarkably well, offering all of his genre-defying greats and an illustration of his excellence, warmth, and humanity. In a way, it is perfect since it gives a doubter or casual fan anything they could want. Let's face it, the beauty and simplicity of Marley's music was as important as his message, and that's captured particularly well here.
Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time. Remarkably dramatic, even visual, it is not only Gabriel's best film work but deserving of serious consideration as his finest music of any kind; equally worthwhile is Passion – Sources, which assembles the original native recordings which served as his creative launching pad.