Instead of settling down in front of the mixing board for another dance album (a lá Technique or Republic), New Order returned in 2001 with a sound and style they hadn't played with for over a decade.
One of the greatest operatic tenors of the 20th century, Luciano Pavarotti was considered by many to possess one of the most lyrical and beautiful voices of his time. This album offers a definitive collection of some of Pavarotti's greatest performances of his career in hi-res audio, including "Nessun Dorma", "O Sole Mio", and "Celeste Aida".
Igor Levit has recently given highly acclaimed debuts in major musical centres across Europe and is being hailed by international critics as one of the most outstanding pianists of our time. Levit is a BBC Young Generation Artist and currently features in the “ECHO Rising Star” program of the European Concert House Organization. Not just another young aspiring pianist releasing his debut album, he is an outstanding artist who meets the exceptionally high technical and interpretative demands of this extraordinary repertoire.
Two jazz legends team up for an unforgettable and moving album of classic spirituals. Bassist Charlie Haden and the late pianist Hank Jones, follow up their 1995 classic duet recording Steal Away, with this album of great songs of power, including Duke Ellington s famous Come Sunday. Come Sunday was a last collaboration between these two longtime friends and colleagues. Hank Jones died in 2010 at the age of 91, shortly after completing this album. Jones is considered the consummate jazz pianist and renowned as a soloist, accompanist, composer and arranger.
Passion, Grace & Fire is the second album by John McLaughlin, Al Di Meola and Paco de Lucía released in 1983. Unlike their first album "Friday Night in San Francisco", this album consists entirely of studio recordings.
In 1989, Steps Ahead consisted of Mike Mainieri on MIDI vibraharp, synclavier and acoustic piano, the young saxophonist Bendik doubling on keyboards, guitarist Steve Kahn, Tony Levin on electric bass and Chapman stick, and drummer Steve Smith. The powerful band did not have a great deal of subtlety by this era, but it helped to keep the much-maligned genre of fusion alive, mixing the sound of rock with jazz improvising.
The Game is the eighth studio album by British rock band Queen released on 30 June 1980. It was the only Queen album to reach the #1 position in the United States and became Queen's best selling studio album in the US with four million copies sold to date, tying News of the World's US sales tally. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached #1 in the United States. The Game was the first Queen album to use a synthesiser.
Ultra is Depeche Mode's ninth full-length album, which was released by Mute Records on 14 April 1997. The album was the band's first since the departure of Alan Wilder, who had left the band in 1995 having become disillusioned with life in Depeche Mode. Wilder's leaving and lead singer Dave Gahan's drug problems, which culminated in a near-fatal overdose, had caused many people to speculate that the band was finished.
Ultra debuted at #1 in the UK Albums Chart and at #5 in the Billboard 200 with sales of 90,000 copies, and producing several hit singles. As of April 2006, Ultra has sold more than 584,000 units in the US.
Sheer Heart Attack is the third album by British rock group Queen, released November 1974. It was produced by Queen and Roy Thomas Baker and distributed by EMI in the United Kingdom, and Elektra in the United States.
The album launched the band to mainstream popularity both in the UK and internationally: the first single, "Killer Queen" reached #2 in the British charts and provided Queen with their first US Top 20 hit, peaking at #12 on the Billboard singles chart. Sheer Heart Attack was also the first Queen album to hit the US Top 20, peaking at #12 in 1975. Digressing from the progressive themes featured on their first two albums, Sheer Heart Attack featured more conventional rock tracks and marked a step towards the classic Queen sound. In recent years, it has been listed by multiple publications as one of the band's best works.